It Begins and Ends with an Image

IF 0.3 Q4 ANTHROPOLOGY
Paolo S. H. Favero
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引用次数: 0

Abstract

A three-act session of storytelling, this visual essay explores the connection between photographs (and images at large) and death. A piece of authobiography, it follows the intimate journey of the author accompanying his father’s departure first and his own grief later. The article positions photographs as objects that are more than mere representations. They are living things that accompany us during our lives. And photography, the author suggests by looking at photographs taken by himself, is a way for opening up time and acknowledging the present. Photographs are capable of bridging the gap between life and death.
它以一个图像开始和结束
这篇视觉散文以三幕的方式讲述故事,探讨了照片(以及一般的图像)与死亡之间的联系。这是一部作者传记,它跟随作者的亲密旅程,伴随着他父亲的离开,然后是他自己的悲伤。这篇文章将照片定位为不仅仅是表现的对象。它们是陪伴我们一生的活物。作者通过自己拍摄的照片暗示,摄影是一种打开时间、承认当下的方式。照片能够弥合生与死之间的鸿沟。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.00
自引率
0.00%
发文量
10
审稿时长
16 weeks
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