Re-creation and self-creation in temple design

IF 0.2 4区 艺术学 N/A ARCHITECTURE
A. Hardy
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引用次数: 0

Abstract

The article discusses an approach taken for the design of a new temple in Karnataka, India, to be built in the medieval ‘Hoysala’ style, which followed the Karnata Dravida tradition of temple architecture. This style is unfamiliar to present-day traditional temple builders in India. The design needs to be based on research into architectural history, of a kind that aims to relive the processes through which temples were designed, assimilating the architectural language and its principles. This kind of architectural history involves re-creation, and this kind of design can contribute to architectural history as ‘design research’. An application of such research is the reconstruction of temple designs from ruins. The temples can potentially be rebuilt, or they can be reconstructed graphically, and presented meaningfully on site. Re-creation of temples through drawing is also a key for understanding canonical Sanskrit texts on architecture. These texts are not illustrated but call for interpretation through drawing. Temple types are typically presented in sequences of evolution from simple to complex forms, one type emanating from another in way reminiscent of how the architectural traditions themselves develop. Texts provide a framework for a design, demanding interpretation, improvisation, and invention. The results are only partly determined by an individual architect, and the framework can stimulate creations that an individual would never have thought of, as if such temples are svayambhu, or ‘self-creating’. A ’svayambhu’ approach has been taken in the design of the new Hoysala temple. No texts survive from the Karnata Dravida tradition, but the surviving creations of that tradition display the emanatory logic of its unfolding. A ‘self-creating’ design for this temple can be achieved by exploring formal possibilities inherent in the tradition and extrapolating a new form, while accommodating ritual and iconographic requirements, and being open to the unexpected.
寺庙设计中的再创造与自我创造
本文讨论了印度卡纳塔克邦一座新寺庙的设计方法,该寺庙将以中世纪的“Hoysala”风格建造,遵循卡纳塔陀罗毗陀寺庙建筑的传统。这种风格对于当今印度传统的寺庙建造者来说是陌生的。设计需要基于对建筑史的研究,旨在重温寺庙设计的过程,吸收建筑语言及其原则。这种建筑史涉及到再创造,这种设计可以作为“设计研究”为建筑史做出贡献。这种研究的一个应用就是从废墟中重建寺庙设计。这些寺庙可以重建,也可以用图形化的方式重建,并在现场进行有意义的展示。通过绘画再现寺庙也是理解梵文建筑典籍的关键。这些文本没有插图,但需要通过绘图来解释。寺庙的类型通常是按照从简单到复杂的演变顺序呈现的,一种类型从另一种类型衍生出来,让人想起建筑传统本身是如何发展的。文本为设计提供了一个框架,要求解释、即兴创作和发明。结果只是部分由建筑师个人决定,框架可以激发个人从未想过的创作,好像这样的寺庙是“自我创造”的。新Hoysala寺庙的设计采用了“svayambhu”的方法。没有文本从卡纳塔陀罗吠陀传统中幸存下来,但该传统的幸存创作显示了其展开的发散逻辑。这座寺庙的“自我创造”设计可以通过探索传统中固有的形式可能性和推断出一种新的形式来实现,同时适应仪式和肖像的要求,并对意想不到的东西开放。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
21
期刊介绍: Arq publishes cutting-edge work covering all aspects of architectural endeavour. Contents include building design, urbanism, history, theory, environmental design, construction, materials, information technology, and practice. Other features include interviews, occasional reports, lively letters pages, book reviews and an end feature, Insight. Reviews of significant buildings are published at length and in a detail matched today by few other architectural journals. Elegantly designed, inspirational and often provocative, arq is essential reading for practitioners in industry and consultancy as well as for academic researchers.
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