The Island Within the Island: Remapping Dominican York

Abstract

This article examines the recurrence of cartography in the print portfolios of the New York-based collective Dominican York Proyecto GRAFICA. Combining the social history of art with recent theoretical developments in geography, I argue that the collective’s approach to collaborative printmaking reveals the geopolitics of US intervention, and also explore how the doubly exiled Dominican body resists the racialized geography of the US.