Polyphony of Forms in Mexican Cinema: the Author’s Style of Alfonso Cuarón

L. Rostotskaya
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引用次数: 0

Abstract

This article examines some of the distinctive features of the style of Alfonso Cuarón, one of the most prominent filmmakers of our time. A comparison of different periods of his work allows us to draw a conclusion about the diversity of artistic forms of his cinematography, which he himself calls «eclecticism». At the same time, the cultural analysis of the Mexican director’s filmography proves that his creative concept has always been related to the most essential aspects of life, imbued with existential philosophy motives, whereas his ingenious techniques only serve as a tool for their profound comprehension. The inexhaustible arsenal of professional methods and techniques, Cuarón’s commitment to experiment, as well as his insatiable creative passion combined with the author’s constant attention to the most crucial aspects of reality generate an incredible variety of cinema forms, creating a unique artistic structure, which is the author’s style of Alfonso Cuarón’s cinematography.
墨西哥电影形式的复调:阿方索的创作风格Cuarón
这篇文章探讨了阿方索Cuarón,我们这个时代最杰出的电影制作人之一的风格的一些显著特征。通过对他不同时期作品的比较,我们可以得出他的电影摄影艺术形式的多样性的结论,他自己称之为“折衷主义”。同时,对这位墨西哥导演电影作品的文化分析证明,他的创作理念始终与生活最本质的方面有关,充满了存在主义的哲学动机,而他巧妙的技巧只是作为深刻理解的工具。用之不竭的专业方法和技术,Cuarón对实验的承诺,以及他永不满足的创作激情,结合作者对现实中最关键方面的持续关注,产生了令人难以置信的各种电影形式,创造了独特的艺术结构,这就是作者的风格阿方索Cuarón的电影摄影。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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