Cool kids' carnival: Double-voiced discourse in student conversations about literature

IF 1 Q3 EDUCATION & EDUCATIONAL RESEARCH
Atle Skaftun, Margrethe Sønneland
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引用次数: 2

Abstract

In this article we will explore group conversations at lower-secondary school about literary texts perceived as subject specific problems. We will focus on cases interpreted as borderline cases concerning student engagement, i.e., conversations where it is not unambiguously clear whether the students are on-task or off-task. These cases represent pedagogical, interpretative and methodological challenges in that it is not obvious (to either teachers or researchers) how to judge what is going on in the conversations. We will give short descriptive analyses of four conversations before more closely analysing the one that we find the most challenging. Alongside laughter, a prominent feature of all four conversations is a register of what Mikhail Bakhtin calls “double - voiced discourse”. Our research question is, “How can we grasp and understand nuances of a double- voiced discourse in student conversations about literature?” Our main framework will be Bakhtin’s approach to literary discourse (Bakhtin, 1981; 1984a; 1986), conceived of as dialogic discourse analysis (cf. Skaftun, 2019). We suggest that this approach can make both teachers and educational researchers more sensitive to productive aspects of playfulness in the classroom.
酷孩子的狂欢:学生文学对话中的双重话语
在这篇文章中,我们将探讨在初中关于文学文本被视为主题特定问题的小组对话。我们将把重点放在那些被解释为与学生参与有关的边缘性案例上,即那些学生在任务上还是在任务外并不是很清楚的对话。这些案例代表了教学、解释和方法上的挑战,因为(对教师或研究人员)如何判断对话中发生了什么并不明显。在更仔细地分析我们认为最具挑战性的对话之前,我们将对四个对话进行简短的描述性分析。除了笑声,这四段对话的一个显著特征是米哈伊尔·巴赫金(Mikhail Bakhtin)所说的“双声话语”。我们的研究问题是,“我们如何把握和理解学生文学对话中双音话语的细微差别?”我们的主要框架将是巴赫金的文学话语方法(巴赫金,1981;1984年;1986年),被认为是对话话语分析(cf. Skaftun, 2019)。我们认为,这种方法可以使教师和教育研究人员对课堂上玩耍的生产性方面更加敏感。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
L1 Educational Studies in Language and Literature
L1 Educational Studies in Language and Literature EDUCATION & EDUCATIONAL RESEARCH-
CiteScore
2.00
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