Future History: Wagner, Offenbach, and 'la musique de l'avenir' in Paris 1860

IF 0.5 1区艺术学 0 MUSIC

OPERA QUARTERLY Pub Date : 2014-12-01 DOI:10.1093/OQ/KBU032

F. Willson

引用次数: 18

Abstract

Flora Willson is a Junior Research Fellow at King’s College, Cambridge. Her work has previously appeared, or is forthcoming, in Cambridge Opera Journal , 19th-Century Music and the Cambridge Verdi Encyclopedia ; she is also editor of a new critical edition of Donizetti’s Les Martyrs (to be published by Ricordi).

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弗洛拉·威尔逊是剑桥大学国王学院的初级研究员。她的作品曾在《剑桥歌剧杂志》、《19世纪音乐》和《剑桥威尔第百科全书》上发表过或即将发表;她还是多尼采蒂《殉道者》新评论版的编辑(即将由里科尔第出版社出版)。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

OPERA QUARTERLY MUSIC-

自引率

83.30%

发文量

期刊介绍： Since its inception in 1983, The Opera Quarterly has earned the enthusiastic praise of opera lovers and scholars alike for its engagement within the field of opera studies. In 2005, David J. Levin, a dramaturg at various opera houses and critical theorist at the University of Chicago, assumed the executive editorship of The Opera Quarterly, with the goal of extending the journal"s reputation as a rigorous forum for all aspects of opera and operatic production. Under his stewardship, the journal is resituated squarely at the intersection of performance, theory, and history, with a purview encompassing contemporary developments on the stage and in the academy.