Capricious Texture of Time in Awareness and Art

IF 0.1 4区 艺术学 0 ART
J. Koenderink, B. Pinna, A. V. Doorn
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引用次数: 2

Abstract

We present a speculative account of lived-time at the level of sentience as distinct from sapience. It implies refraining from reference to clock-time. The account is necessarily in terms of meaning. Thus, familiar concepts such as the specious moment, retention and protention mechanisms are re-evaluated. Lived-time does not have a ‘time-line topology’. It has a volatile, irregular texture rather than a sequential linear order. Indeed, lived-time is necessarily an articulate moment, because awareness is not extended, but here-and-now. Thus, Gestalts in static images often have temporal qualities. Yet they can hardly reflect clock-time, as they are ‘frozen happenings’. This applies to many works of art. We especially focus on painting, sculpture and cinema. Narrative structures in the arts have a close similarity to lived-time. Thus, the analyses of the arts and of visual awareness, including daydreams and dreams, mutually illuminate each other. Our account rides the edge that separates sentience from sapience.
意识与艺术中时间的反复无常
我们提出了一个思辨的生活时间的水平上的感觉,不同于智慧。它意味着避免引用时钟时间。这种叙述必须从意义的角度出发。因此,熟悉的概念,如似是而非的时刻,保留和保护机制被重新评估。live -time没有“时间线拓扑”。它有一个多变的,不规则的纹理,而不是一个连续的线性顺序。事实上,生活时间必然是一个清晰的时刻,因为意识不是延伸的,而是此时此地。因此,静态图像中的格式塔通常具有时间特性。然而,它们很难反映时钟时间,因为它们是“固定的事件”。这适用于许多艺术作品。我们特别关注绘画、雕塑和电影。艺术中的叙事结构与现实生活非常相似。因此,对艺术和视觉意识的分析,包括白日梦和梦,是相互照亮的。我们的叙述跨越了感知与智慧之间的界限。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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