{"title":"Local minima of dissonance functions","authors":"D. Mukherjee","doi":"10.1080/17459737.2021.1882600","DOIUrl":null,"url":null,"abstract":"When the same sound is produced simultaneously with two different fundamental frequencies, auditory roughness is observed. If the first sound is fixed and the fundamental frequency of the second is varied continuously, auditory roughness also varies continuously. A vowel sound is distinguished by its spectral envelope – which is independent of the fundamental frequency. This is a motivation to define the metric space of timbres. Each timbre is associated with a dissonance function which has local minima at certain intervals of local consonance related to the timbre. This is related to the music-theoretical notion of consonant intervals and scales. For the subspace consisting of all timbres with an interval of local consonance at a chosen point β, the main theorem describes certain points on the boundary by the vanishing of one-sided derivatives of dissonance functions at β.","PeriodicalId":50138,"journal":{"name":"Journal of Mathematics and Music","volume":"91 1","pages":"17 - 37"},"PeriodicalIF":0.5000,"publicationDate":"2021-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Mathematics and Music","FirstCategoryId":"100","ListUrlMain":"https://doi.org/10.1080/17459737.2021.1882600","RegionNum":2,"RegionCategory":"数学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"MATHEMATICS, INTERDISCIPLINARY APPLICATIONS","Score":null,"Total":0}
引用次数: 0
Abstract
When the same sound is produced simultaneously with two different fundamental frequencies, auditory roughness is observed. If the first sound is fixed and the fundamental frequency of the second is varied continuously, auditory roughness also varies continuously. A vowel sound is distinguished by its spectral envelope – which is independent of the fundamental frequency. This is a motivation to define the metric space of timbres. Each timbre is associated with a dissonance function which has local minima at certain intervals of local consonance related to the timbre. This is related to the music-theoretical notion of consonant intervals and scales. For the subspace consisting of all timbres with an interval of local consonance at a chosen point β, the main theorem describes certain points on the boundary by the vanishing of one-sided derivatives of dissonance functions at β.
期刊介绍:
Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. In consideration of the deep unsolved ontological and epistemological questions concerning knowledge about music, the Journal is open to a broad array of methodologies and topics, particularly those outside of established research fields such as acoustics, sound engineering, auditory perception, linguistics etc.