{"title":"Hyphy Sparked a Social Movement","authors":"A. Moore","doi":"10.1525/ESR.2017.37_38.1.45","DOIUrl":null,"url":null,"abstract":"“Hyphy,” a genre of rap and lifestyle associated with Bay Area hip hop evolved into a counter-cultural social movement for marginalized youth in early 2000. Hyphy originated from Black youth as a musical protest in response to their historical lack of social power, economic resources and systematic institutional oppression. Hyphy provided a space to release tension, celebrate life and freedom of expression, primarily as a means of resisting hegemonic perceptions of Black youth and their cultural productions. Applying a cultural studies theoretical approach, this ethnographic research examines literature and media coverage pre and post Hyphy highlighting the ways in which it fostered a personal and political agenda, attracting organizations that employed hip hop to provide direct services to youth as a means of advocating for social justice. This article argues that the Hyphy Movement although dated, supported the foundation of the Black Lives Matter movement in the Bay Area by playing a pivotal role in shifting the revolutionary consciousness of young people when addressing police violence during a pivotal social upheaval in 2009, the unjust murder of Oscar Grant III.","PeriodicalId":93702,"journal":{"name":"Explorations in ethnic studies : the journal of the National Association of Interdisciplinary Ethnic Studies","volume":"31 3","pages":"45-62"},"PeriodicalIF":0.0000,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Explorations in ethnic studies : the journal of the National Association of Interdisciplinary Ethnic Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/ESR.2017.37_38.1.45","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
“Hyphy,” a genre of rap and lifestyle associated with Bay Area hip hop evolved into a counter-cultural social movement for marginalized youth in early 2000. Hyphy originated from Black youth as a musical protest in response to their historical lack of social power, economic resources and systematic institutional oppression. Hyphy provided a space to release tension, celebrate life and freedom of expression, primarily as a means of resisting hegemonic perceptions of Black youth and their cultural productions. Applying a cultural studies theoretical approach, this ethnographic research examines literature and media coverage pre and post Hyphy highlighting the ways in which it fostered a personal and political agenda, attracting organizations that employed hip hop to provide direct services to youth as a means of advocating for social justice. This article argues that the Hyphy Movement although dated, supported the foundation of the Black Lives Matter movement in the Bay Area by playing a pivotal role in shifting the revolutionary consciousness of young people when addressing police violence during a pivotal social upheaval in 2009, the unjust murder of Oscar Grant III.
“Hyphy”是一种与湾区嘻哈有关的说唱和生活方式,在2000年初演变成一种针对边缘青年的反文化社会运动。Hyphy起源于黑人青年,作为对他们历史上缺乏社会权力,经济资源和系统制度压迫的音乐抗议。Hyphy提供了一个释放紧张、庆祝生活和言论自由的空间,主要是作为一种抵制对黑人青年及其文化作品的霸权观念的手段。运用文化研究的理论方法,这项民族志研究考察了Hyphy前后的文学和媒体报道,强调了它促进个人和政治议程的方式,吸引了利用嘻哈为青年提供直接服务的组织,作为倡导社会正义的一种手段。本文认为,Hyphy运动虽然过时,但在2009年奥斯卡·格兰特三世(Oscar Grant III)被不公正谋杀这一关键社会动荡期间,在改变年轻人的革命意识方面发挥了关键作用,为湾区“黑人的命也是命”(Black Lives Matter)运动奠定了基础。