Subuh Orchestra of Religious Harmony of Baitunnur Mosque and Santo Yusuf Catholics Church in Pati Central Java

F. Zahra, M. H. Basri, Z. Arifin, Anista Ika Surachman
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Abstract

This article discusses religious harmony in Pati, Central Java, related to mosques and churches in one location. This harmony was awakening through the combination of the sound of church bells and the sound of the recitation in the mosque using loudspeakers to create harmony between the two houses of worship. Purposing of this article was to narrate and discuss the harmony that occurred in Pati by conducting interviews with Catholic religious leaders, Muslim religious leaders, and residents of Arab, indigenous, and Chinese descent. This study focuses on three questions (a) How are religious symbols in religious harmony; (b) How to build harmony with religious symbols in the form of church bells and adhan); (c) How the Subuh orchestra as a symbolic sacred call for people who perform rituals in the mosque called the call to prayer and in churches use church bells to signify the morning sacrament. The result of this research was that religious people build religious harmony through the dawn of this orchestra, making this simple culture a unifying tool for diversity in society.
巴提中爪哇拜土努尔清真寺和圣优素福天主教堂的Subuh宗教和谐乐团
本文讨论了中爪哇帕蒂的宗教和谐,涉及到一个地方的清真寺和教堂。这种和谐是通过教堂的钟声和清真寺使用扬声器的诵经声的结合而唤醒的,以创造两个礼拜场所之间的和谐。本文的目的是通过对天主教宗教领袖、穆斯林宗教领袖、阿拉伯人、土著居民和华人后裔的采访,叙述和讨论帕蒂发生的和谐。本研究集中于三个问题(a)宗教符号如何在宗教和谐中发挥作用;(b)如何与教堂的钟和阿丹等宗教象征建立和谐);(c) Subuh管弦乐队如何作为在清真寺举行仪式的人的象征性神圣召唤,呼吁祈祷,并在教堂使用教堂钟声表示早晨的圣餐。这项研究的结果是,宗教人士通过这个管弦乐队的诞生建立了宗教和谐,使这个简单的文化成为社会多样性的统一工具。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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24 weeks
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