Popularization of Music Education on the Example of Musical and Theatrical Project Dirty Dancing

Sanja Nuhanović, Alma Ferović-Fazlić
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Abstract

The paper deals with reflections on the reasons to the decreased interest of students in formal music education, and opportunities to improve music education system in terms of its popularization. Learning period students spend in order to musically develop and educate themselves should not be a burden, but enjoyment, and flexibility of curriculum in music schools should deliver it. One way of enriching music education could be by including students in various projects, which can be achieved through cooperation with artists outside the home institution, whether amateurs or professionals, but also to connect with similar arts, if the project requires it. In addition to the learning process, it is important to think of the other, no less important, educational component, that would encourage students to think further and, if they continue with education, how to become a performer on stage, and thus have the opportunity to travel, to collaborate with other artists and make new friends. As an example of a successful cooperation on the international level we are presenting a musical and theatrical project Dirty Dancing, which got together a large number of amateur and professional artists, whose teamwork led to the successful live performance and project realization.
以歌舞项目《辣身舞》为例的音乐教育普及
本文就学生对正规音乐教育兴趣下降的原因进行了思考,并从普及音乐教育的角度探讨了完善音乐教育体系的机遇。学生为音乐发展和自我教育而花费的学习时间不应该是一种负担,而应该是一种享受,音乐学校课程的灵活性应该传递这种享受。丰富音乐教育的一种方法是让学生参与各种项目,这可以通过与家庭机构以外的艺术家合作来实现,无论是业余爱好者还是专业人士,但如果项目需要,也可以与类似的艺术联系起来。除了学习过程之外,重要的是要考虑其他同样重要的教育组成部分,这将鼓励学生进一步思考,如果他们继续接受教育,如何成为舞台上的表演者,从而有机会旅行,与其他艺术家合作,结交新朋友。作为一个在国际层面上成功合作的例子,我们正在展示一个音乐和戏剧项目Dirty Dancing,它聚集了大量的业余和专业艺术家,他们的团队合作导致了成功的现场演出和项目实现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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