Beloved Beasts: Reflections on the History and Impact of the British “Animals in War” Memorial

Pub Date : 2017-03-30 DOI:10.2979/HISTMEMO.29.1.0104
J. Baumel-Schwartz
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引用次数: 2

Abstract

This article focuses on the creation and public reception of the Animals in War Memorial, unveiled in London in 2004. Using Wendy Griswold’s multi-pronged methodology for examining cultural history, it focuses on understanding the memorial’s “intention,” “reception,” “comprehension,” “explanation” and “validity.” After reconstructing the social agents’ intentions in creating the memorial, it analyzes its consumption by the observers and onlookers. It then interprets the memorial through the lens of the broader symbolic framework. Finally it returns to the creators of the Animals in War Memorial to assess whether the interpretations of their actions correspond with their original conception and comprehension of the memorial.
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心爱的动物:反思英国“战争动物”纪念碑的历史和影响
本文的重点是2004年在伦敦揭幕的战争动物纪念碑的创作和公众接受。使用温迪·格里斯沃尔德(Wendy Griswold)的多管齐下的方法来研究文化史,它侧重于理解纪念碑的“意图”、“接受”、“理解”、“解释”和“有效性”。在重构了社会主体创作纪念物的意图后,分析了纪念物被观察者和旁观者所消费。然后,它通过更广泛的象征框架的镜头来解释纪念碑。最后,它回到了战争动物纪念碑的创造者身上,以评估对他们行为的解释是否符合他们对纪念碑的原始概念和理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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