Concept formation and the text in digital culture

Q3 Arts and Humanities
Aleksandr Fadeev
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引用次数: 0

Abstract

During cultural-historical development, our learning processes have evolved to using diverse “symbolic artifacts – signs, symbols, texts, formulae” (Kozulin et al. 2003: 15) as mediators of knowledge and meaning. The phenomenon of a text became one of the most advanced of these mediators, as it goes beyond the mere mediation of knowledge. According to Lotman, the text is a semiotic system “capable of transforming messages received and generating new ones, a generator of information” (1988: 57). The evolution of digital culture and the new media environment have shaped the representation and interaction with texts by “changing the static printed text into a dynamic one” (Ojamaa and Torop 2020: 52). Digitality, multimodality and transmediality became intrinsic characteristics of texts in the new media environment. While this emphasizes the value of acquiring the concept of the text within formal and informal education as an “intellectual device” (Lotman 1988: 55) and a cultural tool for accessing knowledge in digital culture, the semiotic and cognitive processes beyond the acquisition of the concept of the text remain under-researched. The paper represents the first step in the broader study of how young learners acquire the concept of the text in contemporary digital culture. The research aims to identify semiotic processes behind acquiring the concept of the text in digital culture. To this purpose, we introduce Vygotsky's theory of concept formation (2012) as a methodological tool for semiotic research in learning and education.
数字文化中的概念形成与文本
在文化历史发展过程中,我们的学习过程已经演变为使用各种“象征性的人工制品——符号、符号、文本、公式”(Kozulin et al. 2003: 15)作为知识和意义的中介。文本现象成为这些中介中最先进的中介之一,因为它超越了单纯的知识中介。根据洛特曼的说法,文本是一个符号系统,“能够转换接收到的信息并产生新的信息,是信息的生成器”(1988:57)。数字文化和新媒体环境的演变通过“将静态印刷文本变为动态文本”塑造了与文本的表现和互动(Ojamaa和Torop 2020: 52)。数字化、多模态和跨媒介性成为新媒体环境下文本的内在特征。虽然这强调了在正规和非正规教育中获取文本概念作为一种“智力手段”(Lotman 1988: 55)和在数字文化中获取知识的文化工具的价值,但文本概念获取之外的符号学和认知过程仍未得到充分研究。本文代表了在当代数字文化中年轻学习者如何获得文本概念的更广泛研究的第一步。本研究旨在识别数字文化中文本概念获取背后的符号学过程。为此,我们引入维果茨基的概念形成理论(2012)作为学习和教育符号学研究的方法论工具。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Punctum International Journal of Semiotics
Punctum International Journal of Semiotics Social Sciences-Linguistics and Language
CiteScore
0.60
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