Inserting Japanese-American Memories into Japan’s War Narrative: National Identities, Divided Loyalty and Revisionism in Two Homelands

IF 0.5 Q3 CULTURAL STUDIES
Rumi Sakamoto
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引用次数: 0

Abstract

Engaging with the ‘transnational turn’ in collective memory studies, this article examines how national and transnational elements intersect in cultural memory-making of the Pacific War in contemporary Japan. Through a case study of a recent Japanese television drama (Two Homelands, 2019) about Japanese Americans who were caught up between two countries at war, it argues that the incorporation of transnational Nikkei memories into Japanese national war memory on a popular cultural level both challenges and reinforces the dominant war narratives in Japan. Ultimately, Two Homelands uses Nikkei voices and their wartime experience of racial discrimination and internment to reinterpret Japan’s role in the Pacific War and promote the revisionist-nationalist narrative of the war. As such, the drama exemplifies the desire within Japan to rehabilitate the persisting cultural trauma of the war and defeat.
在日本战争叙事中插入日裔美国人的记忆:《两个家园》中的民族认同、分裂的忠诚和修正主义
本文结合集体记忆研究中的“跨国转向”,探讨了当代日本太平洋战争文化记忆中的国家和跨国因素是如何交叉的。通过对最近一部关于日裔美国人在两国战争中被困的日本电视剧(《两个国土》,2019)的案例研究,本文认为,在流行文化层面上,将跨国日经记忆纳入日本国家战争记忆,既挑战又强化了日本的主导战争叙事。最终,《两个家园》用日本人的声音和他们在战争期间的种族歧视和拘留经历,重新诠释了日本在太平洋战争中的角色,并推动了对战争的修正主义-民族主义叙事。因此,这部剧体现了日本国内希望恢复战争和战败造成的持续文化创伤的愿望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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