Social Impact on The Formation of The Hellenistic Period Nude Aphrodite Statues

IF 1.6 3区 社会学 Q2 SOCIOLOGY
B. Sönmez
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Abstract

While the idea that Aphrodite was specifically "caught" naked while bathing is sufficient to justify her nudity in the making of the statue, it shows us that the Greeks particularly disliked female nudity. In Cnidos, Medici and Capitoline Aphrodites, it shows that the goddess was caught while taking a bath due to the presence of the hydria vessel, and her slouched posture and her trying to cover her most private parts in addition to her draped outfits showed that she had a certain shyness. While the apparent nakedness of the strong male body was admirable, it was not easy to break a woman's nudity and with it a social taboo; therefore, it was considered inappropriate for women to appear naked. From this need for justification for nudity, we can deduce that the role of women in society was to present a clothed, modest appearance to reinforce her chastity. The Aphrodite of Cnidos was one of the important steps that started to destroy the determined female role. Despite the general nakedness of the Cnidos statue, there is no sign of the vulva. This fit with the idea that women were not sexually aggressive, even divine. Aphrodite, as the goddess of sexuality and love, represented the goddess who preserves her strength instead of covering her groin, and therefore a female audience began to appear to protect her own sexual power. In Aphrodite's case, she personifies love and sexuality; so she was responsible for representing what love and sexuality should look like, and her influence on women became more acutely felt and imitated. Apart from the message that Aphrodite gave to women during the Hellenistic Period, she also had a different appeal to the male world: naked and sensual. The fact that Aphrodite began to appear naked in public has turned gender roles upside down.
希腊化时期裸体阿佛洛狄忒雕像形成的社会影响
虽然阿芙罗狄蒂在洗澡时被“抓住”裸体的想法足以证明她在制作雕像时的裸体是合理的,但它向我们表明,希腊人特别不喜欢女性裸体。在克尼多斯、美第奇和卡比托利欧的《阿芙罗狄蒂》中,女神在洗澡时因为水合亚容器的存在而被抓住,她的懒散的姿势和她试图掩盖她最私密的部位,加上她的褶皱服装,表明她有一定的羞怯。虽然强壮的男性身体的明显裸露令人钦佩,但要打破女性的裸体并不容易,这是一种社会禁忌;因此,人们认为女性裸体是不合适的。从这种为裸体辩护的需要中,我们可以推断出,女性在社会中的角色是呈现出一种穿着衣服、谦虚的外表,以加强她的贞洁。克尼多斯的阿芙罗狄蒂是开始摧毁坚定的女性角色的重要步骤之一。尽管克尼多斯雕像一般都是裸体的,但没有外阴的迹象。这与女性在性方面没有攻击性,甚至是神圣的观点相吻合。阿芙罗狄蒂作为性与爱的女神,代表着不遮盖腹股沟而保持力量的女神,因此出现了保护自己性力量的女性观众。在阿芙罗狄蒂的例子中,她是爱和性的化身;因此,她负责代表爱和性应该是什么样子,她对女性的影响越来越强烈,人们越来越多地感受到和模仿她。除了希腊化时期阿芙罗狄蒂给女性的信息外,她对男性世界也有不同的吸引力:裸体和肉欲。阿芙罗狄蒂开始在公共场合裸体出现,这一事实颠覆了性别角色。
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来源期刊
CiteScore
4.50
自引率
15.00%
发文量
54
期刊介绍: European integration and enlargement pose fundamental challenges for policy, politics, citizenship, culture and democracy. Innovation: The European Journal of Social Science Research provides a unique forum for discussing these processes. It welcomes articles on all aspects of European developments that contribute to the improvement of social science knowledge and to the setting of a policy-focused European research agenda. Examples of typical subject areas covered include •Policy-Making and Agenda-Setting •Multilevel Governance •The Role of Institutions •Democracy and Civil Society •Social Structures and Integration •Sustainability and Ecological Modernisation •Science, Research, Technology and Society
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