{"title":"Moving the Dark to Wholeness : the Elegies of Wendell Berry","authors":"J. Triggs","doi":"10.7282/T3QZ2CQ0","DOIUrl":null,"url":null,"abstract":"With each year, Wendell Berry claims a more significant position among contemporary American poets. 1 From his common beginnings as one of a generation of poets trained in the precepts of the New Criticism he has pursued his own “path,” as he calls it, with uncommon intellectual rigor and poetic sensitivity. In our age of weak religious faith, many poets, faced with death and the threat of nuclear devastation, have fallen into sterility or despair. Berry, however, over the course of his career has come to terms with death and made its acceptance central to his philosophy of affirmation. For him, acceptance of death makes possible human love, fidelity, and the perpetuation of the community of men on earth. Like so many poets of his generation, Berry has developed as an artist by escaping the ubiquitous enchantment of Understanding Poetry . Under the influence of Brooks and Warren, Berry began his career writing individual, “well-made” lyrics that emphasized paradox and irony, and drew for inspiration from the Elizabethans by way of Yeats and T. S. Eliot. A former Kentucky farm boy “exiled” to the freshman writing department of New York University, Berry found in the new critical approach a distancing irony to protect his sensibility from the city’s hostile, alien environment:","PeriodicalId":43283,"journal":{"name":"文学评论","volume":"31 1","pages":"279-292"},"PeriodicalIF":0.0000,"publicationDate":"1988-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"文学评论","FirstCategoryId":"1092","ListUrlMain":"https://doi.org/10.7282/T3QZ2CQ0","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
With each year, Wendell Berry claims a more significant position among contemporary American poets. 1 From his common beginnings as one of a generation of poets trained in the precepts of the New Criticism he has pursued his own “path,” as he calls it, with uncommon intellectual rigor and poetic sensitivity. In our age of weak religious faith, many poets, faced with death and the threat of nuclear devastation, have fallen into sterility or despair. Berry, however, over the course of his career has come to terms with death and made its acceptance central to his philosophy of affirmation. For him, acceptance of death makes possible human love, fidelity, and the perpetuation of the community of men on earth. Like so many poets of his generation, Berry has developed as an artist by escaping the ubiquitous enchantment of Understanding Poetry . Under the influence of Brooks and Warren, Berry began his career writing individual, “well-made” lyrics that emphasized paradox and irony, and drew for inspiration from the Elizabethans by way of Yeats and T. S. Eliot. A former Kentucky farm boy “exiled” to the freshman writing department of New York University, Berry found in the new critical approach a distancing irony to protect his sensibility from the city’s hostile, alien environment:
期刊介绍:
LITERARY REVIEW is a large-scale national academic journal of literary research and theoretical criticism sponsored by the Institute of Literature of the Chinese Academy of Social Sciences, which was originally called Literary Research, prepared in the second half of 1956, and founded on March 12, 1957. The journal was suspended in June 1966 and resumed publication in January 1978 until now.
Since its inception, LITERARY REVIEW has adhered to the tenet of ‘blossoming of a hundred flowers and a hundred schools of thought’, insisted on the guidance of Marxist theory, paid close attention to the reality, grasped the pulse of the times, paid attention to the professional characteristics, published the long-term and specialised research results of literary researchers in China using a large part of the journal, paid attention to the major issues in the history and theory of literature, and paid attention to the positive issues in the history and theory of literature, as well as to the major issues in the history of literature. It focuses on professional features, publishes the long-term and specialised research results of national literary researchers at a large scale, pays attention to major issues in literary history and theory, actively promotes the study of contemporary literature, sums up the experience of Chinese literature, and supports young scholars in an unconventional manner, thus forming a distinctive feature of the journal.