Museums in the era of decolonisation: the Nigerian perspective

Q3 Arts and Humanities
Oluwatoyin Sogbesan
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引用次数: 2

Abstract

Museums are spaces designed to preserve and disseminate knowledge about peoples and cultures. It is a place that keeps items that serve as evidence of history and identity frozen in time for knowledge purposes. Museums were a direct result of elites exhibiting their collections and cabinets of curiosity to the amazement of visitors in their homes. Over time, private collections became museum institutions of knowledge and repositories that have become pride of nation-states. As learning spaces, museums enhance education and enjoyment of visitors, through varied cultures displayed from their collections. However, museums are not to be perceived as entirely western supporting colonial ideology but they should substantiate national history from varied cultural perspectives that fosters identity formation and communal history. The paper focuses on how the persistent call for decolonisation within museums has been perceived and adopted in Nigeria. Using mixed methodology, that included archival and historic research, data collection was through surveys, personal observation, interviews to ascertain museum types within Nigeria. The paper describes museum concept as a cultural construct that aligns to African ideology. Finally, the paper concludes that the low visitors number to museums in Nigeria is due to a disconnect between institution and the citizenry due to its colonial foundation. Consequently, emphasising the urgent need for decolonisation that adopt local model and further influences the design of new museums in Nigerian.
非殖民化时代的博物馆:尼日利亚的视角
博物馆是为保存和传播有关民族和文化的知识而设计的空间。它是一个保存作为历史和身份证据的物品的地方,这些物品被冻结在时间里,以获取知识。博物馆是精英们在家里展示他们的收藏品和奇珍异宝,让参观者感到惊奇的直接结果。随着时间的推移,私人收藏变成了博物馆、知识机构和知识库,成为民族国家的骄傲。作为学习空间,博物馆通过藏品中展示的各种文化,增强了游客的教育和享受。然而,博物馆不应被视为完全支持西方殖民意识形态的博物馆,而应从促进身份形成和社区历史的不同文化角度充实国家历史。本文的重点是如何在博物馆内持续呼吁非殖民化已被感知和采用在尼日利亚。采用包括档案和历史研究在内的混合方法,通过调查、个人观察和访谈收集数据,以确定尼日利亚境内的博物馆类型。本文将博物馆概念描述为一种与非洲意识形态相一致的文化结构。最后,本文得出结论,尼日利亚博物馆的游客数量低是由于其殖民基础导致机构与公民之间的脱节。因此,强调迫切需要采用当地模式的非殖民化,并进一步影响尼日利亚新博物馆的设计。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Museologica Brunensia
Museologica Brunensia Arts and Humanities-Museology
CiteScore
0.20
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0.00%
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