{"title":"Under the Spell of Populism: Popular Culture and Intellectuals in Brazil","authors":"Cacilda M. Rêgo","doi":"10.7560/SLAPC3311","DOIUrl":null,"url":null,"abstract":"In the 1960s, Brazil experienced profound changes, due mainly to the emergence of the urban masses. At that time, political and cultural projects of a populist and nationalist nature appeared, supported by the idea of a national popular culture through which the masses would be led to a tomada de consciência (critical consciousness) of the country’s social problems. It fell to the intellectuals to lead the way, to create a distinctive national popular culture that, contrary to foreign imports, would reflect the true experience of the popular classes, among whom they proudly counted themselves. In this context, popular culture became associated with products made and distributed by the Centros Populares de Cultura (Popular Culture Centers—CPC). This essay aims at analyzing the role of the intellectuals affiliated with the CPC in realizing these objectives.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2015-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/SLAPC3311","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/SLAPC3311","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 2
Abstract
In the 1960s, Brazil experienced profound changes, due mainly to the emergence of the urban masses. At that time, political and cultural projects of a populist and nationalist nature appeared, supported by the idea of a national popular culture through which the masses would be led to a tomada de consciência (critical consciousness) of the country’s social problems. It fell to the intellectuals to lead the way, to create a distinctive national popular culture that, contrary to foreign imports, would reflect the true experience of the popular classes, among whom they proudly counted themselves. In this context, popular culture became associated with products made and distributed by the Centros Populares de Cultura (Popular Culture Centers—CPC). This essay aims at analyzing the role of the intellectuals affiliated with the CPC in realizing these objectives.
在20世纪60年代,巴西经历了深刻的变化,主要是由于城市群众的出现。当时,民粹主义和民族主义性质的政治和文化项目出现了,由民族流行文化的想法支持,通过这种文化,群众将被引导到对国家社会问题的tomada de consciência(批判意识)。这就落在了知识分子的肩上,他们要带头创造一种独特的民族流行文化,这种文化与外国舶来品相反,将反映大众阶级的真实经验,他们自豪地认为自己是大众阶级的一员。在这种背景下,流行文化与“大众文化中心”(Centros Populares de Cultura, cpc)制作和发行的产品联系在一起。本文旨在分析中共知识分子在实现这些目标中的作用。