Beginning a New Cuban Dream: An Interview with Carlos Varela

IF 0.1 3区 艺术学 0 MUSIC
María Caridad Cumaná, Karen Dubinsky
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引用次数: 0

Abstract

Carlos Varela is one of the best-known singer-songwriters to emerge from the Cuban nueva trova movement: heir to the musical traditions forged by Silvio Rodríguez and Pablo Milanés. Parochially, if accurately, known in North America as “Cuba’s Bob Dylan,” he has produced eight CDs since he began recording in 1988 and has toured Europe, the United Kingdom, Latin America, the Caribbean, and North America. In Cuba he is known as the voice of the generation that came of age during the Special Period of the 1990s, those raised with the promise and seeming collapse of the Cuban Revolution, for whom his songs have become generational anthems. In this interview, Varela discusses the meaning his music has for Cubans in the diaspora and on the island, the benefits and liabilities of creating music in today’s Cuba, censorship, history, the current Cuban hip-hop scene, and the ongoing significance of music as a political language for his own and other generations of Cubans. He also shares some reflections about his own career and his song-writing process since the 1980s.
开始一个新的古巴梦:采访卡洛斯·巴雷拉
卡洛斯·瓦雷拉是古巴新革命运动中最著名的创作型歌手之一:他继承了西尔维奥·Rodríguez和巴勃罗·米兰萨梅斯所创立的音乐传统。从1988年开始录制唱片以来,他已经发行了8张cd,并在欧洲、英国、拉丁美洲、加勒比地区和北美巡回演出。在古巴,他被认为是20世纪90年代特殊时期成年的一代人的声音,这些人是在古巴革命的希望和似乎崩溃的情况下长大的,对他们来说,他的歌曲已经成为一代人的颂歌。在这次访谈中,Varela讨论了他的音乐对流落海外的古巴人的意义,在今天的古巴创作音乐的利弊,审查制度,历史,当前的古巴嘻哈场景,以及音乐作为一种政治语言对他自己和其他几代古巴人的持续意义。他还分享了一些关于他自己的职业生涯和自20世纪80年代以来的歌曲创作过程的感想。
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