The city on the Moldau as a liminal space : Prague in Anthony Trollope's Nina Balatka

Q2 Arts and Humanities
Ilona Dobosiewicz
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Abstract

The article discusses Anthony Trollope's representation of the city of Prague in his 1867 novel Nina Balatka, which first appeared anonymously in the Blackwood's Magazine. The novel tells the story of the eponymous protagonist, a Christian woman, who falls in love with a Jewish man. Trollope's choice of Prague as the backdrop for the story of two lovers separated by the great gulf between Christians and Jews seems particularly fitting, because the spatial division of the city by the river Moldau which separates the Christian and the Jewish parts of town reinforces the sense that the two protagonists come from different worlds. Trollope's characters exist in the realistically represented city; yet, iconic Prague locations, described in picturesque detail, are imbued with symbolic significance which underscores the liminal position of the protagonist, who is torn between her Christian faith, and her love of a Jewish man.
摩尔道上的城市作为一个有限的空间:安东尼·特罗洛普的《尼娜·巴拉特卡》中的布拉格
本文讨论了安东尼·特罗洛普在其1867年的小说《尼娜·巴拉特卡》中对布拉格市的表现,这部小说首次匿名发表在《布莱克伍德杂志》上。小说讲述了同名主人公,一个基督徒女人,爱上了一个犹太男人的故事。特罗洛普选择布拉格作为一对恋人的故事背景,这对恋人被基督徒和犹太人之间的巨大鸿沟分隔开来,这似乎特别合适,因为莫尔道河将城市的空间划分开来,将城镇的基督教部分和犹太教部分分开,强化了这两位主角来自不同世界的感觉。特罗洛普笔下的人物存在于现实再现的城市中;然而,布拉格标志性的地点,以如画般的细节描述,充满了象征意义,强调了主人公的界限地位,她在基督教信仰和她对一个犹太人的爱之间挣扎。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Brno Studies in English
Brno Studies in English Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
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0.00%
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