'You cannot assimilate Indian ghosts' : a magical realist reading of Louise Erdrich's The Night Watchman

Q2 Arts and Humanities
A. Abbady
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引用次数: 0

Abstract

In The Night Watchman (2020), Louise Erdrich continues to blur the lines between history and fiction as she has done in several of her novels. Erdrich introduces the reader to several mag ical elements that appear to be entirely real: two ghosts, a dog that talks, and an unearthly powwow with Jesus as one of the dancers. The main objective of this article is to show how Er drich’s adoption of a magical realist narrative mode grants her the authority to challenge “the orthodox version of history” (Holgate 2015: 635) and to “re-envision” Native American history from the perspective of “the dispossessed, the silenced, and the marginalized” (Slemon 1995: 422). In particular, this article investigates the characterization and function of one of the two ghosts that appear in the novel in the context of two significant eras in the history of Native Americans: off-reservation boarding schools and the termination policy of the 1950s.
“你不能同化印度鬼魂”:路易斯·厄德里奇《守夜人》的魔幻现实主义解读
在《守夜人》(2020)中,路易丝·厄德里奇继续模糊历史与小说之间的界限,就像她在几部小说中所做的那样。厄德里奇向读者介绍了几个似乎完全真实的神奇元素:两个鬼魂,一条会说话的狗,以及一个与耶稣作为舞者之一的神秘仪式。本文的主要目的是展示erdrich对魔幻现实主义叙事模式的采用如何赋予她挑战“正统历史版本”(Holgate 2015: 635)的权威,并从“被剥夺者,沉默者和边缘化者”(Slemon 1995: 422)的角度“重新设想”美洲原住民的历史。本文特别研究了小说中出现的两个鬼魂之一的特征和功能,并将其置于印第安人历史上两个重要时代的背景下:保留地外寄宿学校和20世纪50年代的终止政策。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Brno Studies in English
Brno Studies in English Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
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