Horace : the misunderstood lover? views on horace's approach to lyric love poetry in his Odes

IF 0.1 0 CLASSICS
E. Merwe
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引用次数: 0

Abstract

Introduction Horace is often placed at the opposite end of the spectrum to Catullus in discussions on Latin lyric love poetry. In this oversimplified view, the poets represent vastly different interpretations of love and the poetic process, Catullus being the prototype Sturm und Drang poet while Horace embodies calm and self-detachment.This essay explores contemporary views on Horace's approach to writing about love, and proposes that an over-emphasis on Horace's political views and interest in public matters has led to a disregard for his views on love. It is further argued that a comparison between Horace's love poetry and that of Catullus is an unjust categorisation which does little to acknowledge Horace's versatile and developmental approach to lyric poetry. Finally, Horace's self-detachment is seen to be the most effective means through which he succeeds in connecting with the experiences of his reader.
贺拉斯:被误解的情人?论贺拉斯《颂歌》中抒情诗的创作手法
在关于拉丁抒情诗的讨论中,贺拉斯经常被置于卡图卢斯的对立面。在这种过于简单化的观点中,诗人代表了对爱情和诗歌过程的截然不同的解释,卡图卢斯是狂飙诗人的原型,而贺拉斯则体现了冷静和自我超脱。这篇文章探讨了当代对贺拉斯的爱情写作方式的看法,并提出过分强调贺拉斯的政治观点和对公共事务的兴趣导致了对他的爱情观点的忽视。进一步认为,将贺拉斯的情诗与卡图卢斯的情诗进行比较是一种不公正的分类,这种分类没有承认贺拉斯对抒情诗的多样化和发展方法。最后,贺拉斯的自我超然被认为是他成功地与读者的经历联系起来的最有效的手段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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0.10
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8 weeks
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