The fifteenth-century Catalan translation of the French "Danse macabre": A critical edition and English translation, from manuscript Miscel·lània 26, Arxiu de la Corona d’Aragó, Barcelona

IF 0.2 N/A MEDIEVAL & RENAISSANCE STUDIES
Alina Zvonareva
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引用次数: 1

Abstract

The present article focuses on ff. cxlr-cviiir of the manuscript Miscel?lania 26, Arxiu de la Corona d’Arago, Barcelona, which contain the only extant version of the fifteenth-century Catalan translation of the French Danse macabre. The article contains a philological study of this section of the manuscript, with particular attention to the relationship between the Catalan version of the Danse macabre and its French sources: this study serves as an introduction to a new critical edition of the Catalan translation proposed in the second part of the article. The critical text consists of a parallel edition of the Catalan version and manuscript lat. 14904, Bibliotheque nationale de France, Paris (MS BnF lat. 14904), which proves to be the witness of the French poem closest to the lost exemplar used by the Catalan translator. Both editions aim at finding a balance between readability and a conservative approach which preserves the historical character of the manuscripts. The critical text is preceded by editorial criteria and accompanied by a literal translation into modern English and editorial notes.
十五世纪加泰罗尼亚语对法语“Danse macabre”的翻译:评论版和英译本,摘自手稿Miscel·lània 26,Arsuu de la Corona d‘Aragó,巴塞罗那
本文的重点是ff。手稿Miscel?位于巴塞罗那Arxiu de la Corona d 'Arago的lania 26号,那里保存着法国死亡之舞(Danse macabre) 15世纪加泰罗尼亚语译本的唯一现存版本。这篇文章包含了对这部分手稿的语言学研究,特别关注加泰罗尼亚语版本的《死亡之舞》与其法语来源之间的关系:这项研究作为文章第二部分提出的加泰罗尼亚语翻译的新批评版本的介绍。关键文本由加泰罗尼亚语版本和手稿的平行版本组成。14904,法国国家图书馆,巴黎(MS BnF flat)。14904),这被证明是最接近加泰罗尼亚语译者使用的丢失范例的法国诗的见证。两个版本的目的是在可读性和保守的方法之间找到一个平衡,保留手稿的历史特征。关键文本之前的编辑标准,并伴随着直译成现代英语和编辑笔记。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Magnificat Cultura i Literatura Medievals
Magnificat Cultura i Literatura Medievals MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.60
自引率
0.00%
发文量
0
期刊介绍: Its coverage is threefold: (1) Cultural subjects for the Romance area, in the medieval and post-medieval era (up to 1600). (2) Literature, linguistics and cultural issues in general, concerning the Crown of Aragon and Occitania (and other related areas such as Naples and Navarre). (3) Digital humanities or otherwise methodological studies, provided that they may be of service to the medievalist. This annual publication has been created with the intention of serving as a platform for works that exceed the conventional length of journal articles. Therefore Magnificat CLM will preferably publish long articles, but articles of medium length are not excluded. Magnificat CLM is aimed at an audience of researchers and specialists in medieval studies, especially Romance philology, as well as of specialists in digital humanities. Magnificat CLM consists of a single section of articles, occasionally including a monographic dossier on particular subjects. All articles are indexed. Magnificat CLM published its first volume in 2014.
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