The Twilight Language of Siddhas and Sanskrit Figures of Speech in Viśākha Ṣaṣṭi

Q4 Arts and Humanities
H. Urbańska
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引用次数: 0

Abstract

The paper is an attempt to analyse the Viśākhaṣaṣṭi – the collection of sixty stanzas praising Lord Murukan of Paḻani temple composed by Nārāyaṇa Guru – the mystic, philosopher and social reformer from Kerala. Several stanzas of this mysterious hymn (22, 37, 39, 52, 55) have been selected as representative of Guru’s style of writing characteristic of compositions devoted to Subrahmaṇyan. Nārāyaṇan introduces to his works the twilight language of Siddhas supported with a variety of figures of speech borrowed from Sanskrit kāvya literature. An elaborate and highly sophisticated mixture of these two literary and philosophical traditions became the means by which Guru releases the liberating power of each independent literary construction.
悉达斯的黄昏语言和Viśākha Ṣaṣṭi中的梵语修辞
本文试图分析由来自喀拉拉邦的神秘主义者、哲学家和社会改革家Nārāyaṇa Guru所创作的《Viśākhaṣaṣṭi》,该诗集收录了歌颂Paḻani寺的Murukan勋爵的60节诗。这首神秘的赞美诗的几节(22,37,39,52,55)被选为古鲁致力于Subrahmaṇyan的写作风格的代表。Nārāyaṇan在他的作品中引入了悉达斯的黄昏语言,并从梵语中借用了各种修辞kāvya文学。这两种文学和哲学传统的精心和高度复杂的混合成为古鲁释放每个独立文学结构的解放力量的手段。
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来源期刊
Acta Asiatica Varsoviensia
Acta Asiatica Varsoviensia Arts and Humanities-Arts and Humanities (miscellaneous)
CiteScore
0.10
自引率
0.00%
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0
审稿时长
52 weeks
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