Expression as Creativity

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Steven B Marston
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Abstract

Deleuze (1990) reads Part I of the Ethics as articulating an expressionist philosophy, in which to express (exprimere) is the ontological criterion for existence throughout Spinoza’s metaphysical system. However, he argues that inadequate ideas and passions are non‑expressing, such that finite modes express substance only in their adequate ideas. I argue, contra Deleuze, that Spinoza’s account of the workings of the human mind presses us to understand inadequate ideas as genuine expressions of substance which nonetheless are specific to the individuals which form them. On the same textual grounds I propose that the mind’s expression of substance in inadequate ideas, and thus in virtue of its encounters with other modes, is a source of both creativity and potential instability. I put this insight to work in a reading of Spinoza’s political philosophy, arguing that expression generates a dynamic in which social formations enact and reinforce their own forms of expression, while also being subject to the reimaginations and expression of those who live within them.
表达即创造力
德勒兹(1990)将《伦理学》的第一部分解读为表达主义哲学,在斯宾诺莎的形而上学体系中,表达(经验)是存在的本体论标准。然而,他认为,不充分的思想和激情是无法表达的,因此,有限模式只能在其适当的思想中表达实质。与德勒兹相反,我认为斯宾诺莎对人类心灵运作的描述迫使我们理解,不充分的观念是实体的真实表达,尽管如此,它们对形成它们的个体来说是特定的。在同样的文本基础上,我提出,心灵在不充分的思想中对物质的表达,因此,由于它与其他模式的接触,是创造力和潜在不稳定性的源泉。我在阅读斯宾诺莎的政治哲学时运用了这种见解,认为表达产生了一种动态,在这种动态中,社会结构制定并加强了自己的表达形式,同时也受到生活在其中的人的重新想象和表达的影响。
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来源期刊
Journal of Early Modern Studies-Romania
Journal of Early Modern Studies-Romania HUMANITIES, MULTIDISCIPLINARY-
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