Agalmatofilia. L'amore per le statue nel mondo antico: l'Afrodite di Cnido e il caso di Pigmalione

G. Ferrari
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Abstract

The sexual attraction to statues, also known as 'agalmatophilia', seems to be prevalent in the Ancient World: the case of the Cnidian Aphrodite is of particular interest. According to multiples ancient sources, this statue, made by Praxiteles was able to arouse the erotic desire in the observer. However, this case must be contextualised in the ancient Greece, where different powers were ascribed to the divinities and great importance was given to Mimesis. The literary case of Pygmalion, recorded by Ovid in the Metamorphoses, plays a key role in this context as well. Here, the power of poetry allows the achievement of a happy end through the transformation of the statue into a real woman. Hereof we underline the analogies between the sculpture moulded by Pygmalion and the doll, which allow us to perceive in this myth a sort of conceptual bridge towards a contemporary form of agalmatophilia, the one that employs sex dolls.
Agalmatofilia。古代世界对雕像的热爱,c鸟巢的阿芙罗狄蒂和皮格马利翁的案例
对雕像的性吸引力,也被称为“agalmatophilia”,似乎在古代世界很普遍:Cnidian的阿芙罗狄蒂的案例特别有趣。根据多种古代资料,这座由普拉克西特莱斯制作的雕像能够唤起观察者的性欲。然而,这种情况必须在古希腊的背景下进行,在古希腊,不同的力量被归因于神,并给予Mimesis非常重要。奥维德在《变形记》中记录的皮格马利翁的文学案例在这一背景下也发挥了关键作用。在这里,诗歌的力量使雕像变成了一个真正的女人,从而实现了一个幸福的结局。在这里,我们强调皮格马利翁塑造的雕塑和娃娃之间的类比,这让我们在这个神话中感知到一种概念上的桥梁,通向当代形式的恋性癖,即使用性玩偶的恋性癖。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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