{"title":"The Newness of New Technology","authors":"M. Price","doi":"10.7551/mitpress/4533.003.0009","DOIUrl":null,"url":null,"abstract":"Every new technology transforms the world around it. A century ago, in a gentle preface to his novel Under the Greenwood Tree Thomas Hardy wrote of the transformation of little church orchestras in village England. Humble and amateur community instrumentalists were being displaced by an \"isolated organist\" employing a newly manufactured and more cheaply distributed technology, the harmonium or barrel organ. The new device presented certain advantages in control and accomplishment, but, he suggested, the change caused the stultification of the clergy's aims and resulted in loss of interest among parishioners. In these tiny hamlets the technology of musical development had consequences for participation, organization of the institution, the nature of the music that was played, and, Hardy seemed to be saying, for country life as well. Of these multiple and small transformations major changes in society take place. Comments NOTE: At the time of publication, author Monroe Price was affiliated with the Benjamin N. Cardozo School of Law, Yeshiva University. Currently(February, 2008), he is an Adjunct Full Professor at the Annenberg School for Communication at the University of Pennsylvania. This journal article is available at ScholarlyCommons: http://repository.upenn.edu/asc_papers/56","PeriodicalId":80891,"journal":{"name":"Cardozo law review","volume":"22 1","pages":"1885"},"PeriodicalIF":0.0000,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"16","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cardozo law review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7551/mitpress/4533.003.0009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 16
Abstract
Every new technology transforms the world around it. A century ago, in a gentle preface to his novel Under the Greenwood Tree Thomas Hardy wrote of the transformation of little church orchestras in village England. Humble and amateur community instrumentalists were being displaced by an "isolated organist" employing a newly manufactured and more cheaply distributed technology, the harmonium or barrel organ. The new device presented certain advantages in control and accomplishment, but, he suggested, the change caused the stultification of the clergy's aims and resulted in loss of interest among parishioners. In these tiny hamlets the technology of musical development had consequences for participation, organization of the institution, the nature of the music that was played, and, Hardy seemed to be saying, for country life as well. Of these multiple and small transformations major changes in society take place. Comments NOTE: At the time of publication, author Monroe Price was affiliated with the Benjamin N. Cardozo School of Law, Yeshiva University. Currently(February, 2008), he is an Adjunct Full Professor at the Annenberg School for Communication at the University of Pennsylvania. This journal article is available at ScholarlyCommons: http://repository.upenn.edu/asc_papers/56
每一项新技术都会改变它周围的世界。一个世纪以前,托马斯·哈代(Thomas Hardy)在他的小说《绿林树下》(Under the Greenwood Tree)的序言中,温和地描述了英国乡村小教堂管弦乐队的转变。谦逊和业余的社区乐器演奏家被“孤立的管风琴师”取代,他们采用了一种新制造的、更便宜的技术,即风琴或管风琴。这种新设备在控制和完成方面有一定的优势,但是,他认为,这种变化使神职人员的目标变得愚蠢,并导致教区居民失去兴趣。在这些小村庄里,音乐发展的技术对参与、机构的组织、演奏的音乐的性质产生了影响,哈代似乎在说,对乡村生活也产生了影响。在这些多重而微小的转变中,社会发生了重大变化。注:本文发表时,作者门罗·普莱斯隶属于叶史瓦大学本杰明·n·卡多佐法学院。目前(2008年2月),他是宾夕法尼亚大学安嫩伯格传播学院的兼职教授。这篇期刊文章可以在ScholarlyCommons上找到:http://repository.upenn.edu/asc_papers/56