Metodička primenljivost narodnih pesama novopazarskog kraja u postavci elementarne muzičke pismenosti

Naka Niksic
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引用次数: 0

Abstract

Folk songs of the region where the classes are held should be the central content of teaching elementary music literacy in Serbia. However, in Novi Pazar area, as is the case with some other parts of the country, teachers usually do not use this music material because, due to the lack of interest of music pedagogues, it has not been researched from the aspect of elementary music literacy and it cannot be found easily in the methodological and textbook literature. On the other hand, teachers during their studies, despite mastering several subjects in the field of music, are not sufficiently trained to select and adapt songs from ethno-musicological records to the needs of teaching music literacy and children's vocal abilities at this age. The aim of this research is to create basic music material that meets the methodological criteria for developing elementary music literacy in Novi Pazar region, bearing in mind the multiculturalism of the region and the fact that we should start with melodies that children are familiar with, namely, the folk songs of their cultural heritage. The method of theoretical analysis and descriptive method were used in the paper. The results of the research show that only 44 (4.34%) out of 1013 recorded songs of this region are applicable in teaching elementary music literacy. We adapted these songs to children's vocal abilities using transposition, elimination of melismatics, and modeling, in accordance with the methodological and biological framework of vocal maturity during vocal development, and for the needs of developing elementary music literacy. According to the given parameters and indicators, we obtained 5 model songs based on folk heritage and additional 39 songs which could be used for the purpose of introduction to the initial music literacy.
小学音乐背景下小说结尾人物歌曲的运用方法
课程所在地区的民歌应该成为塞尔维亚初级音乐素养教学的核心内容。然而,在Novi Pazar地区,与该国其他一些地区的情况一样,教师通常不使用这种音乐材料,因为音乐教师缺乏兴趣,没有从初级音乐素养的角度进行研究,而且在方法论和教科书文献中很难找到它。另一方面,教师在学习期间,尽管掌握了音乐领域的几门学科,但在从民族音乐学记录中选择和改编歌曲以适应这个年龄段的音乐素养和儿童声乐能力教学的需要方面,却没有得到足够的训练。这项研究的目的是创造符合发展新帕扎尔地区初级音乐素养的方法标准的基本音乐材料,同时考虑到该地区的多元文化主义,以及我们应该从儿童熟悉的旋律开始,即他们文化遗产的民歌。本文采用了理论分析和描述的方法。研究结果表明,在该地区录制的1013首歌曲中,仅44首(4.34%)适用于初级音乐素养教学。根据声乐发展过程中声乐成熟的方法论和生物学框架,以及发展初级音乐素养的需要,我们使用换位、消除音韵和建模来改编这些歌曲,以适应儿童的声乐能力。根据给定的参数和指标,我们获得了5首基于民间传承的示范歌曲和39首可用于初始音乐素养介绍的歌曲。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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