Creativity through Autonomy: The Real Challenge of the Computer Art Today

IF 0.1 0 PHILOSOPHY
Nikoleta Kerinska
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引用次数: 0

Abstract

This paper questions the notion of creativity found in certain artworks produced with A.I. technologies. The artistic examples concerned are: The Giver of names by David Rokeby, Oscar by Catherine Ikam and Louis Fléri, and Emotion Vending Machine by Maurice Benayoun. These artworks were selected because they stand out for their autonomous behavior in front of the human public. In this context, creativity is revealed as a consequence of the functional autonomy, which is very typical of these pieces of art. The intention is to establish a relationship between the notion of autonomy and that of creativity, reviewing their meanings and applications in philosophy and in the field of life science.
自主创造:当今计算机艺术的真正挑战
这篇论文质疑了用人工智能技术制作的某些艺术品中的创造力概念。有关的艺术例子有:大卫·洛克比的《名字的赐予者》,凯瑟琳·伊卡姆和路易斯·弗莱姆里的《奥斯卡》,以及莫里斯·贝纳永的《情感自动售货机》。这些作品之所以被选中,是因为它们在人类公众面前表现出自主的行为。在这种背景下,创造力作为功能自主性的结果被揭示出来,这是这些艺术作品的典型特征。其目的是建立自主概念和创造概念之间的关系,审查它们在哲学和生命科学领域中的意义和应用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
11
期刊介绍: The Balkan Journal of Philosophy is a peer-reviewed international periodical, academic in spirit, that publishes high-quality papers on current problems and discussions in philosophy. While open to all fields and interests, the journal devotes special attention to the treatment of philosophical problems in the Balkans and south-eastern Europe, and to their influence on the development of philosophy in this region. All papers are publisihed in English. BJP is published under the auspices of the Bulgarian Academy of Sciences.
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