The Encoding / Decoding Model on Keats’s “Ode on a Grecian Urn” as a Thing

Hussein Salimian Rizi, Pyeaam Abbasi
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引用次数: 1

Abstract

John Keats, a main figure in the second generation of Romantic poets, was not generally well received by his contemporary critics, though during the course of time, he has become one of the most beloved poets. Stuart Hall proposes an analytical model of communication, namely the encoding/decoding model, which assumes a complex structure of relations to be produced and sustained through linked but distinctive moments which are termed as production, circulation, distribution/ consumption, and reproduction. This paper employs Hall’s encoding/decoding communication model as a yardstick to move beyond his approach, which mainly addresses modern mass media and communication system, and relate the distinctive moments playing integrally in encoding and decoding to Keats’s Ode on a Grecian Urn (1819). Furthermore, there is an attempt to turn the spotlight on the ode’s durability after the French Revolution passions abate and the poem starts to gain its thingness.
济慈《希腊瓮颂》作为物的编码/解码模型
约翰·济慈是第二代浪漫主义诗人中的重要人物,尽管随着时间的推移,他已成为最受欢迎的诗人之一,但他在同时代的评论家中并不受欢迎。斯图亚特·霍尔提出了一种传播的分析模型,即编码/解码模型,该模型假设了一种复杂的关系结构,通过被称为生产、流通、分配/消费和再生产的相互联系但又独特的时刻来产生和维持。本文以霍尔的编码/解码传播模型为衡量标准,超越了他的主要研究现代大众媒介和传播系统的方法,并将编码和解码的独特时刻与济慈的《希腊瓮颂》(1819)联系起来。此外,在法国大革命之后,人们的热情消退,诗歌开始获得它的存在性,人们试图将焦点转向颂歌的持久性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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