PANAKAWAN'S DISCOURSE OF POWER IN JAVANESE SHADOW PUPPET DURING THE NEW ORDER REGIME: FROM TRADITIONAL PERSPECTIVE TO NEW HISTORICISM

R. Basuki
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引用次数: 8

Abstract

Wayang kulit (shadow puppet) has not only been an entertainment; it is a medium to disseminate Javanese values to the public. Therefore, wayang kulit has been a site of power game. Those who could control it have their best opportunity to pass their values to the public. Throughout its history, those in power since the colonial time until the New Order regime had successfully 'used' this medium to 'educate' the public. The New Order regime, for one thing, had used this medium well. Wayang kulit promoted Suharto as an equal of Semar, a wise, god-like character. It also promoted Golkar as the most powerful political party in the New Order Era. Feudalism in wayang kulit was also used to reinforce a feudalistic regime of New Order.
新秩序政权下爪哇皮影中的权力话语:从传统视角到新历史主义
皮影戏不仅是一种娱乐;它是向公众传播爪哇价值观的媒介。因此,wayang kulit一直是权力博弈的场所。那些能够控制它的人有最好的机会将他们的价值观传递给公众。纵观历史,从殖民时期到新秩序政权,当权者都成功地“使用”了这种媒介来“教育”公众。首先,新秩序政权很好地利用了这种媒介。Wayang kulit将苏哈托提升为与Semar平起平坐的人,一个智慧的、神一般的人物。它还推动专业集团党成为新秩序时代最强大的政党。wayang kulit的封建制度也被用来加强新秩序的封建政权。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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