IAGO AND THE AMBIGUITY OF HIS MOTIVES IN SHAKESPEARE'S OTHELLO

J. M. Djundjung
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Abstract

Iago's motives for vengeance are problematic as Iago offers different motives throughout the play. Shakespeare scholars have attempted to explain some probable answers for the problem. Yet, none of the answers is definite that Iago's motives remain vague. This paper explores the ambiguity of Iago's motives by negating Iago's explanations, as they do not correspond to his actions. He plays his role skillfully that he can act as a confidante to all of his victims that he masters them and pushes them to helplessness and desperation. His skillful mastery over his victims' lives can be compared to that of a devil who destroys the lives of his victim and that of a skillful artist who decides on the fates of his characters. If an artist creates a work of art, then Iago creates destruction.
伊阿古和他在莎士比亚的《奥赛罗》中模棱两可的动机
伊阿古复仇的动机是有问题的,因为伊阿古在整部戏中提供了不同的动机。研究莎士比亚的学者试图解释这个问题的一些可能的答案。然而,没有一个答案是确定的,伊阿古的动机仍然模糊。本文通过否定伊阿古的解释来探讨伊阿古动机的模糊性,因为这些解释与他的行为不相符。他巧妙地扮演了自己的角色,他可以成为所有受害者的知己,他控制他们,把他们推向无助和绝望。他对受害者生命的熟练掌握可以比作一个毁灭受害者生命的魔鬼和一个决定人物命运的熟练艺术家。如果一个艺术家创造了一件艺术品,那么伊阿古就创造了毁灭。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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