The role of creative cluster Savamala in Belgrade repositioning in global hierarchies

Sanja Simeunčević-Radulović, Aleksandra Stupar
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引用次数: 3

Abstract

Urban competitiveness in post-industrial society largely depends on the strength of city's creative economy. It is represented by its position in global urban hierarchies, as an indicator of its importance and attractiveness for people and companies. Creative clusters present a way to stimulate creative economy in the city because the spatial concentration of creative companies and people additionally stimulates exchange of ideas and knowledge. Article explores complex dynamic between creative economy, cities and global hierarchies. The focus is on the role of creative clusters in the process of global positioning, especially in the case of Belgrade. The city has significantly improved its position in the global urban hierarchy - from a non-existing node in 2000, to the 'beta' level of global cities in 2008 (according to GaWC global urban hierarchy). Furthermore, in just four years (2008-2012), Belgrade improved its rank for three positions. This period overlaps with several interesting events - e.g. the initial phase of the largest regional creative festival and the development of a creative cluster in Savamala. Consequently, the article will emphasize the importance of this district in the global repositioning of Belgrade.
贝尔格莱德创意集群Savamala在全球层级中的重新定位
后工业社会的城市竞争力在很大程度上取决于城市创意经济的实力。它以其在全球城市等级中的地位为代表,作为其对人们和公司的重要性和吸引力的指标。创意集群提供了一种刺激城市创意经济的方式,因为创意公司和人才的空间集中也促进了思想和知识的交流。文章探讨了创意经济、城市和全球等级制度之间的复杂动态。重点是创意集群在全球定位过程中的作用,特别是在贝尔格莱德的情况下。这座城市在全球城市等级中的地位显著提高——从2000年的一个不存在的节点,到2008年的全球城市“beta”水平(根据GaWC全球城市等级)。此外,在短短四年内(2008-2012年),贝尔格莱德的排名上升了三位。这一时期与一些有趣的事件重叠,例如,最大的区域创意节的初始阶段和萨瓦马拉创意集群的发展。因此,本文将强调该地区在贝尔格莱德全球重新定位中的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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