The Sacred Images, Patronages and Rituals of Obando Church, Bulacan, Philippines: A Historical Investigation

IF 0.1 0 RELIGION
Feorillo P.A. Demeterio III, Noella Ma-i Orozco
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引用次数: 1

Abstract

: Obando, Bulacan is famous for its fertility dance ritual that is celebrated in the middle of May in front the sacred images of Saint Paschal Baylón, Our Lady of Salambao , and Saint Clare of Assisi. Following a postcolonial trend of scholarship, many assume that this dance ritual existed prior to the Spanish colonization of the Philippines, and was merely subsumed under Catholic discourse to facilitate the conversion of the natives to Christianity. Using mostly 19 th century Spanish publications, and 20 th century American and Filipino publications, and viewing the sacred images, their patronages and rituals as a Deleuze-Guattarian assemblage, this paper challenges this rather naïve postcolonial line of thinking by arguing that the Obando assemblage that we more or less know today took more than three centuries to configure. This research paper does not only proffer a more textually grounded historical account of the configuration and reconfigurations of this popular religious assemblage, but also the first journal publication on the history of Obando Church’s sacred images, patronages, and rituals. This paper therefore is an attempt to initiate
菲律宾布拉干奥班多教堂的圣像、赞助人与仪式:一项历史调查
:奥班多,布拉干以其生育舞蹈仪式而闻名,该仪式于5月中旬在圣帕斯卡Baylón,萨拉姆堡圣母和阿西西的圣克莱尔的神圣形象前庆祝。随着后殖民时期的学术趋势,许多人认为这种舞蹈仪式在西班牙殖民菲律宾之前就存在了,只是被纳入天主教的话语中,以促进当地人皈依基督教。本文主要使用19世纪的西班牙出版物,以及20世纪的美国和菲律宾出版物,并将神圣的图像,他们的赞助人和仪式视为德勒兹-瓜达里亚的集合,通过论证我们今天或多或少知道的奥班多集合花了三个多世纪的时间来配置,挑战了这种相当naïve后殖民的思维方式。这篇研究论文不仅提供了一个更有文本基础的关于这个流行宗教集会的配置和重新配置的历史描述,而且也是第一个关于奥班多教堂神圣形象、赞助人和仪式历史的期刊出版物。因此本文是一种尝试
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