Shuffling Narratives: Apocalypticism, Postmodernism, and Zombies

Q3 Arts and Humanities
Anglica Pub Date : 2020-01-01 DOI:10.7311/0860-5734.29.1.06
Steffen Wöll
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引用次数: 0

Abstract

Zombies and the tropes that surround them have become a staple of popular culture and a familiar presence in movies, television series, graphic novels, and video games. From their Caribbean folklore origins, the undead are palimpsestic metaphors for social issues and cultural anxieties. This article examines the rarely studied tensions between apocalyptic desires to resurrect narrative stability through monstrous bodies and postmodern voices that utilize zombies to decompose societal conventions. Despite this supposed antagonism, the article suggests that zombies amalgamate these contrasting mindsets by assuming a role of pop-cultural mediators that bridge the gap between increasingly divisive cultural epistemologies.
洗牌叙事:启示主义、后现代主义和僵尸
僵尸和围绕它们的比喻已经成为流行文化的主要内容,也是电影、电视剧、图画小说和电子游戏中熟悉的存在。从他们的加勒比海民间传说起源,不死族是对社会问题和文化焦虑的改写隐喻。这篇文章探讨了很少被研究的世界末日欲望之间的紧张关系,即通过怪物的身体复活叙事的稳定性,以及利用僵尸来分解社会习俗的后现代声音。尽管存在这种假定的对立,但文章认为,僵尸通过扮演流行文化调解人的角色,弥合了日益分裂的文化认识论之间的差距,从而融合了这些截然不同的心态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Anglica
Anglica Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
18
审稿时长
26 weeks
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