Children as Treasures: Childhood and the Middle Class in Early Twentieth-Century Japan

IF 0.6 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY
Andrew C. Mckevitt
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引用次数: 21

Abstract

Children as Treasures: Childhood and the Middle Class in Early Twentieth-Century Japan Mark A. Jones Cambridge, MA: Harvard University Asia Center, 2010. Contents, notes, works cited, index. 407 pp. $45.00 cloth. ISBN: 9780674053342In the last decade, scholars in a range of fields have explored the rich child-centered world of contemporary Japanese consumer culture. Works like Anne Allison's Millennial Monsters: Japanese Toys and the Global Imagination (2005) and Joseph Tobin's edited collection, Pikachu's Global Adventure: The Rise and Fall of Pokemon (2004), have illustrated the ways contemporary Japanese children live in a world full of imaginative playthings linked to powerful currents of national culture and global commerce. Scholars know much less, however, about the origins of one of the world's most influential play cultures. We also understand little about how Japanese children's pervasive popular culture conflicts with an apparent national obsession with entrance examinations and juku (cram schools). Mark A. Jones's ambitious Children as Treasures provides a welcome history of childhood in Japan in the first decades of the twentieth century. Jones embeds his examination of childraising practices within a complicated background of changing class identities, arguing that the "rearing of children became the defining emblem of middleclass identity in early twentieth-century Japan" (p. 2).There are really two stories in Children as Treasures-one about the shaping of a middle class in early twentieth-century Japan and the other about emerging popular and intellectual conceptions of childhood-and Jones deftly weaves the two together. The book is also divided chronologically between a first half on the late Meiji period (1880s to 1912) and a second half on the Taisho period (1912 to 1926), which preceded the authoritarian militarism of the early Showa period. During the late Meiji era, established elites fashioned a vision of the middle class as the social foundation for a national community rooted in morality rather than materialism, reflecting anxieties about rapid growth in urban spaces and materialist desires. In this context, the image of the ryosai kenbo, the "good wife, wise mother," was charged with shaping a generation of shokokumin, or "little citizens," who were "morally virtuous and physically vigorous, a symbol of a sound family, a sturdy middle class, and a strong nation" (p. 147). The later Taisho era witnessed the expansion of an education system that provided new opportunities for social mobility as well as the growth of a mass media catering to middle-class aspirants, which resulted in new pressures that reshaped both the image of the middle class and that of the ideal child. Through the 1920s, two visions of childhood competed for the attention of parents: the yutosei, or the "superior student," and the kodomorashii kodomo, or the "childlike child." By the end of the Taisho era, the image of the yutosei-a disciplined child who constantly prepared, both in school and after in juku, for rigorous entrance exams-emerged triumphant, valued because of its role in nationalist education and the opportunities schooling afforded for climbing the social ladder in a period of expanded social mobility. …
儿童如珍宝:20世纪初日本的童年与中产阶级
《儿童如珍宝:20世纪初日本的童年与中产阶级》Mark A. Jones剑桥:哈佛大学亚洲中心,2010。内容、注释、引用作品、索引。407页。$45.00布。在过去的十年里,各个领域的学者都在探索当代日本消费文化中丰富的以儿童为中心的世界。安妮·艾利森的《千禧年怪兽:日本玩具与全球想象》(2005年)和约瑟夫·托宾编辑的《皮卡丘的全球冒险:口袋妖怪的兴衰》(2004年)等作品展示了当代日本儿童生活在一个充满想象力的玩具的世界里,这些玩具与强大的民族文化和全球商业潮流息息相关。然而,学者们对世界上最具影响力的戏剧文化之一的起源知之甚少。我们也不太了解,日本儿童无处不在的流行文化,是如何与全国对入学考试和补习班的明显痴迷相冲突的。马克·a·琼斯雄心勃勃的《儿童如珍宝》提供了20世纪头几十年日本童年的受欢迎历史。琼斯把他对养育孩子的实践的考察置于一个阶级身份不断变化的复杂背景中,他认为“养育孩子成为了20世纪初日本中产阶级身份的标志性标志”(第2页)。《儿童如宝藏》中确实有两个故事——一个是关于20世纪初日本中产阶级的形成,另一个是关于新兴的流行和知识分子对童年的概念——琼斯巧妙地将这两个故事编织在一起。这本书还按时间顺序分为前半部分明治晚期(1880年代至1912年)和后半部分大正时期(1912年至1926年),后者在昭和早期的威权军国主义之前。在明治晚期,精英阶层将中产阶级塑造成一个植根于道德而非物质主义的国家共同体的社会基础,反映了对城市空间快速增长和物质主义欲望的焦虑。在这种背景下,“贤妻良母”的形象被认为塑造了一代“孝民”,即“小公民”,他们“道德高尚,身体健壮,是健全家庭、稳固中产阶级和强大国家的象征”(第147页)。大正时代的后期见证了教育体系的扩张,为社会流动提供了新的机会,同时迎合中产阶级抱负的大众媒体也在增长,这带来了新的压力,重塑了中产阶级和理想儿童的形象。在整个20世纪20年代,有两种对童年的看法吸引了父母的注意:优生(yutosei)或“优秀学生”(kodomorashii kodomo),或“孩子般的孩子”(kodomorashi kodomo)。在大正时代的末期,优生的形象——一个在学校里和毕业后不断为严格的入学考试做准备的有纪律的孩子——取得了胜利,因为它在民族主义教育中的作用以及在社会流动性扩大的时期,学校教育为攀登社会阶梯提供了机会而受到重视。…
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来源期刊
American Journal of Play
American Journal of Play SOCIAL SCIENCES, INTERDISCIPLINARY-
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