The Restoration of Rembrandt’s Syndics

Abstract

This article focuses on the reason why a cleaning controversy about the restoration of Rembrandt’s Syndics broke out nearly two and a half years after the work was completed in 1929 and how Rijksmuseum director Frederik Schmidt-Degener dealt with the challenges. Initiated by local artists from the Amsterdam artist society Arti et Amicitiae, the controversy was fuelled by provocative questionnaires circulated among artists and restorers by the daily De Telegraaf. A vindictive letter by Rijksmuseum restorer Pieter Bakker, who restored The Syndics in 1929, but left the museum on mental health grounds in 1930, fanned the flames still further, even though it was not published in the end. This cleaning controversy was not unique; arguments about the supposed dangers of cleaning paintings were fought out in public in European countries throughout the nineteenth and twentieth centuries. After a cleaning controversy about Frans Hals paintings in Haarlem – which dragged on between 1909 and 1927 – The Syndics cleaning controversy was the second in the Netherlands. It was also the last. This previously unexplored episode in the Rijksmuseum’s conservation history carries a lesson in open communication regarding the restoration of cultural heritage. It is a lesson that is still valid today.