Facing Down the Watershed: The Drama Bay nakht afn altn mark (A Night in the Old Marketplace) by I.L. Peretz as a Carnival Mystery Play

Q4 Arts and Humanities
Karolina Koprowska
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引用次数: 0

Abstract

The author analyses Isaac Leib Peretz’s play Bay nakht afn altn mark (A Night in the Old Marketplace) through the lens of the ambivalences of the carnival, which give rise to various transgressions of socio-political and cultural, as well as metaphysical and existential, orders. The carnival category positions Peretz’s drama in the dialectic of beginning and end, and it suggests the violation of the existing normative order in order to expose the tension between the traditional world of the shtetl and the modernity that is impinging on it. Moreover, the carnival spectacle reveals metaphysical and historiosophic dimensions, since it tackles the question of the human condition, which is defined by the opposition of life and death and is entangled in the course of history.
面对着分水岭:戏剧湾(the Drama Bay)将I.L. Peretz的《旧市场的一夜》(A Night in the Old market)改编为嘉年华神秘剧
作者通过狂欢节的矛盾心理来分析艾萨克·莱布·佩雷茨的戏剧《旧市场的一夜》,这种矛盾心理引发了社会政治和文化以及形而上学和存在主义秩序的各种越界。狂欢范畴将佩雷茨的戏剧置于开始与结束的辩证法中,它暗示着对现有规范秩序的违背,以揭示传统世界与冲击它的现代性之间的张力。此外,狂欢场面揭示了形而上学和历史哲学的维度,因为它解决了人类状况的问题,这是由生与死的对立所定义的,并与历史进程纠缠在一起。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Scripta Judaica Cracoviensia
Scripta Judaica Cracoviensia Arts and Humanities-History
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