Nathalie Skowronek « a la recherche de Max » : Construction litteraire et autometatextualite dans les ouvrages de la 3e generation de la Shoah

Q4 Arts and Humanities
José Luis Arráez
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引用次数: 0

Abstract

The third generation survivors of the World War II genocide of the European Jews withstand, analyse and create literary texts about the Holocaust, a historical event, which was not endured by them directly but experienced through scientific papers and creative literature. Thanks to Nathalie Skowronek, a novelist living in Brussels, and her publication of Max en apparence (2013) and La Shoah de Monsieur Durand (2015), we can gain some insight into the social and literary reality of Jewish genocide memory and into its intergenerational transmission. Firstly, we will carefully analyse the approach used by this author in the composition of a biographical text about her grandfather’s reconstruction of events. After that, using an intertextual approach, we will analyse formal and moral narrative considerations of the authoress which govern the literary reconstruction grandfather’s biography.
Nathalie Skowronek«a la recherche de Max»:第三代大屠杀作品中的文学结构和自动文本
第二次世界大战对欧洲犹太人的种族灭绝的第三代幸存者承受、分析和创作关于大屠杀的文学文本,这是一个历史事件,他们没有直接忍受,而是通过科学论文和创造性文学经历。多亏了居住在布鲁塞尔的小说家娜塔莉·斯科罗内克(Nathalie Skowronek),以及她出版的《最大的表象》(2013)和《杜兰德先生的屠杀》(2015),我们可以对犹太人种族灭绝记忆的社会和文学现实及其代际传播有所了解。首先,我们将仔细分析作者在撰写关于她祖父重建事件的传记文本时使用的方法。之后,使用互文的方法,我们将分析支配文学重建祖父传记的作者的形式和道德叙事考虑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Scripta Judaica Cracoviensia
Scripta Judaica Cracoviensia Arts and Humanities-History
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