{"title":"Vertige du moindre geste","authors":"Rodolphe Olcèse","doi":"10.5840/studphaen2022229","DOIUrl":null,"url":null,"abstract":"In this article, I consider the gesture confronted with its own impossibility, in situations that open the gesture to a dimension of transcendence. Focusing first on the event of beauty, as it is discussed by Jean‑Louis Chrétien, and on the encountering of the face, as it is considered by Emmanuel Lévinas, this paper envisions a “below” and a “beyond” of the gesture, in exceptional situations where the gesture is faced with an excess, acquiring a dimension of a theopathy. Subsequently, I emphasize that the transcendence that takes gesture beyond itself can inhabit and nourish the daily gestures, and this can be an occasion of pain and difficulties. In this perspective, Simone Weil shows how the repeated gestures of manual labour can become the mirror of supernatural beauty.","PeriodicalId":42801,"journal":{"name":"Studia Phaenomenologica","volume":"1 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studia Phaenomenologica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5840/studphaen2022229","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0
Abstract
In this article, I consider the gesture confronted with its own impossibility, in situations that open the gesture to a dimension of transcendence. Focusing first on the event of beauty, as it is discussed by Jean‑Louis Chrétien, and on the encountering of the face, as it is considered by Emmanuel Lévinas, this paper envisions a “below” and a “beyond” of the gesture, in exceptional situations where the gesture is faced with an excess, acquiring a dimension of a theopathy. Subsequently, I emphasize that the transcendence that takes gesture beyond itself can inhabit and nourish the daily gestures, and this can be an occasion of pain and difficulties. In this perspective, Simone Weil shows how the repeated gestures of manual labour can become the mirror of supernatural beauty.
在这篇文章中,我考虑了这种姿态面对其自身的不可能性,在某种情况下,这种姿态打开了一种超越的维度。首先关注美丽的事件,正如Jean - Louis chracimtien所讨论的那样,以及Emmanuel lsamuvinas所考虑的那样,本文设想了手势的“下面”和“超越”,在手势面临过剩的特殊情况下,获得了一种神病的维度。随后,我强调超越自身的超越可以栖息和滋养日常的姿态,这可能是痛苦和困难的场合。从这个角度来看,西蒙娜·韦尔展示了体力劳动的重复动作如何成为超自然美的镜子。