{"title":"“A Man in a Group Isn’t Himself at All”: Revisiting Steinbeck’s Phalanx Theory","authors":"C. Berardino","doi":"10.5325/STEINBECKREVIEW.18.1.0055","DOIUrl":null,"url":null,"abstract":"Abstract:Steinbeck formulated his phalanx theory in 1933, in an atmosphere of social unease with the rise of fascism, communism, industrial unionism, and other mass movements. Though perhaps conceived originally as a scientific attempt to explain group behavior, Steinbeck’s theory seems to stray (perhaps not intentionally) from scientific objectivity toward subjective sociological appraisal. As it is presented in his literature, I argue Steinbeck’s phalanx theory must not be taken as science, but rather, as a model for understanding his exploration of collective behavior and human potential. This broadened concept of “phalanx potential,” as I call it, should be understood apart from mere extension of the original theory itself. I argue, in instances where Steinbeck’s phalanx theory seems to fulfill its capacity as a creative force, the phalanx itself requires the efficacious leadership of a “collective individual.” That is, the success of Steinbeck’s phalanx, paradoxically, relies on an individual, a remarkable “other,” simultaneously outside of, and within, the phalanx itself. While Steinbeck’s earlier works, namely, “The Vigilante” and In Dubious Battle, present a critical view of the dangers and destructive possibilities unharnessed phalanxes present, his later works, namely, The Grapes of Wrath and Cannery Row, offer a more redemptive and productive view on the potential of these collectives. I contend that the reason for this progression lies in Steinbeck’s treatment of these unique “collective individuals,” and their ability to foster democratic, participatory communities.","PeriodicalId":40417,"journal":{"name":"Steinbeck Review","volume":"33 1","pages":"55 - 74"},"PeriodicalIF":0.9000,"publicationDate":"2021-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Steinbeck Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/STEINBECKREVIEW.18.1.0055","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:Steinbeck formulated his phalanx theory in 1933, in an atmosphere of social unease with the rise of fascism, communism, industrial unionism, and other mass movements. Though perhaps conceived originally as a scientific attempt to explain group behavior, Steinbeck’s theory seems to stray (perhaps not intentionally) from scientific objectivity toward subjective sociological appraisal. As it is presented in his literature, I argue Steinbeck’s phalanx theory must not be taken as science, but rather, as a model for understanding his exploration of collective behavior and human potential. This broadened concept of “phalanx potential,” as I call it, should be understood apart from mere extension of the original theory itself. I argue, in instances where Steinbeck’s phalanx theory seems to fulfill its capacity as a creative force, the phalanx itself requires the efficacious leadership of a “collective individual.” That is, the success of Steinbeck’s phalanx, paradoxically, relies on an individual, a remarkable “other,” simultaneously outside of, and within, the phalanx itself. While Steinbeck’s earlier works, namely, “The Vigilante” and In Dubious Battle, present a critical view of the dangers and destructive possibilities unharnessed phalanxes present, his later works, namely, The Grapes of Wrath and Cannery Row, offer a more redemptive and productive view on the potential of these collectives. I contend that the reason for this progression lies in Steinbeck’s treatment of these unique “collective individuals,” and their ability to foster democratic, participatory communities.
期刊介绍:
Steinbeck Review is an authorized publication on the life and works of American novelist John Steinbeck (1902–1968). It publishes scholarly articles; notes; book and performance reviews; creative writing; original artwork; and short intercalary pieces offering fresh perspectives, including notes on contemporary references to Steinbeck, discussions of the contexts of his work, and an occasional poem. Steinbeck Review has a threefold mission of broadening the scope of Steinbeck criticism, promoting the work of new and established scholars, and serving as a resource for Steinbeck teachers at all levels.