"Spoilsport" in drama in education vs. dialogic pedagogy

IF 1 Q3 EDUCATION & EDUCATIONAL RESEARCH
Ana Marjanovic-Shane
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引用次数: 21

Abstract

In this paper I compare and contrast two educational paradigms that both attempt to overcome alienation often experienced by students in the conventional education. These two educational paradigms are embodied in different educational practices: First, Drama in Education in its widest definition, is based on the Vygotskian views that human cognitive, semantic (meaning-making), and social-emotional development happens in or through play and/or imagination, thus within the imagined worlds. Second, Critical Ontological Dialogic Pedagogy, is based in the Bakhtin inspired approach to critical dialogue among the “consciousnesses of equal rights” (Bakhtin, 1999), where education is assumed to be a practice of examination of the world, the others and the self. I reveal implicit and explicit conceptual similarities and differences between these two educational paradigms regarding their understanding the nature of learning; social values that they promote; the group dynamics, social relationships and the position of learners’ subjectivity. I aim to uncover the role and legitimacy of the learners’ disagreement with the positions of others, their dissensus with the educational events and settings, and the relationships of power within the social organization of educational communities in these two diverse educational approaches. I explore the legitimacy of dissensus in these two educational approaches regarding both the participants’ critical examination of the curriculum, and in regard to promoting the participants’ agency and its transformations. In spite of important similarities between the educational practices arranged by these two paradigms, the analysis of their differences points to the paradigmatically opposing views on human development, learning and education. Although both Drama in Education and Dialogic Pedagogy claim to deeply, fully and ontologically engage the learners in the process of education, they do it for different purposes and with diametrically opposite ways of treating the students and their relationship to the world, each other and their own developing selves.
戏剧教育中的“扫兴”与对话教学法
在本文中,我比较和对比了两种教育范式,它们都试图克服学生在传统教育中经常经历的疏离感。这两种教育范式体现在不同的教育实践中:首先,在最广泛的定义中,教育中的戏剧是基于维果茨基的观点,即人类的认知、语义(意义创造)和社会情感的发展发生在或通过游戏和/或想象中,因此在想象的世界中。第二,批判本体论对话教学法,基于巴赫金启发的“平等权利意识”之间的批判性对话方法(巴赫金,1999),其中教育被认为是对世界,他人和自我的检查实践。我揭示了这两种教育范式在理解学习本质方面的内隐和外显概念的异同;他们提倡的社会价值观;群体动态、社会关系与学习者主体性地位。我的目标是揭示学习者与他人立场的不同,他们对教育事件和设置的不同意见,以及在这两种不同的教育方法中,教育社区社会组织中的权力关系的作用和合法性。我探讨了这两种教育方法中持不同意见的合法性,这两种教育方法既涉及参与者对课程的批判性审查,也涉及促进参与者的能动性及其转变。尽管这两种范式安排的教育实践有重要的相似之处,但对其差异的分析表明,在人的发展、学习和教育方面,两种范式的观点截然相反。尽管教育中的戏剧和对话教学法都声称要深入、充分和本体论地让学习者参与到教育过程中,但它们的目的不同,对待学生及其与世界、彼此和自我发展的关系的方式也截然相反。
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来源期刊
Dialogic Pedagogy
Dialogic Pedagogy EDUCATION & EDUCATIONAL RESEARCH-
CiteScore
1.50
自引率
33.30%
发文量
12
审稿时长
16 weeks
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