A Museology for Open-Air Museums

Sascha Bjarnø Olinsson
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Abstract

This paper aims to assess the mechanisms of the Open-Air museum heritage interpretation approach in an attempt to establish a museology definition for the Open-Air museum concept, which can help us to deconstruct the components that make the model distinct and sustainable. This will be achieved by identifying the underlying principles of the Open-Air museum approach, as well as assessing the particular resources associated with the approach. The objective is to establish what a generally applicable Open-Air museum approach would look like and assess how the fundamentals of this approach can impact on sustainable economic development in Open-Air museums as well as other heritage settings. The study has performed an exhaustive literature review on Open-Air museums, and the review findings are corroborated with data from a 2018 survey on Danish and English Open-Air museums and in-depth interviews with management staff from two leading Open-Air museums in both countries. The study demonstrates that Open-Air museums rely heavily on intangible heritage resources to build their mediation approach and that their museology approach has been successful to the extent of developing a successful pedagogical tool that is furthermore a sustainable cultural “product”.
露天博物馆的博物馆学
本文旨在评估露天博物馆遗产解释方法的机制,试图为露天博物馆概念建立一个博物馆学定义,这可以帮助我们解构使该模式独特和可持续的组成部分。这将通过确定露天博物馆方法的基本原则,以及评估与该方法相关的特定资源来实现。目的是建立一个普遍适用的露天博物馆方法,并评估这种方法的基本原理如何影响露天博物馆和其他遗产环境的可持续经济发展。该研究对露天博物馆进行了详尽的文献回顾,回顾结果与2018年对丹麦和英国露天博物馆的调查数据以及对两国两家主要露天博物馆管理人员的深入访谈相吻合。研究表明,露天博物馆在很大程度上依赖于非物质遗产资源来构建他们的调解方法,他们的博物馆学方法已经成功地开发了一种成功的教学工具,进而成为一种可持续的文化“产品”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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