Organizaciones regionales y diversidad cultural: la diplomacia de la Unión Europea con el Mercosur entre la sombra de Hollywood y la acción intergubernamental

IF 0.3 Q4 COMMUNICATION
Antonios Vlassis
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引用次数: 3

Abstract

The aim of the article is double: on the one hand, to explore the EU’s ability to conduct a foreign audiovisual policy towards the Mercosur region and to promote the norms of the Convention on diversity of cultural expressions; on the other hand, to analyze the impact of the EU audiovisual policy model on the development of the Mercosur audiovisual cooperation and to focus on the main forces shaping the Mercosur audiovisual landscape. The article seeks to emphasize why and how the EU pursues an audiovisual foreign policy towards the Mercosur region, for which purposes as well as to highlight the resistances. In this sense, it is more concerned with understanding how the EU’s audiovisual diplomacy interplays with other main factors, such as the governmental action, namely the EU and Mercosur members’ audiovisual diplomacy and the practices of private sector (Hollywood and big media conglomerates).
区域组织与文化多样性:欧盟与南方共同市场在好莱坞阴影和政府间行动之间的外交
这篇文章的目的是双重的:一方面,探讨欧盟对南方共同市场地区实施对外视听政策的能力,并促进《文化表现形式多样性公约》的规范;另一方面,分析欧盟音像政策模式对南方共同市场音像合作发展的影响,重点分析塑造南方共同市场音像格局的主要力量。本文试图强调欧盟为何以及如何对南方共同市场地区采取视听外交政策,为此目的以及强调阻力。从这个意义上说,它更关心的是理解欧盟的视听外交如何与其他主要因素相互作用,如政府行为,即欧盟和南方共同市场成员国的视听外交和私营部门(好莱坞和大型媒体集团)的做法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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