Composing the Music of Africa

IF 0.2 3区 艺术学 0 MUSIC
M. Floyd
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引用次数: 17

Abstract

Introduction - composing the music of Africa, Malcolm Floyd melodic and rhythmic aspects of African music, Christopher James. Part 1 The making of "traditional musics": Egypt - Egyptian folk music, Adel Kamel Ghana - the roots of Ghanaian composers, James Flolu drumming in Ghana, Trevor Wiggins the xylophone tradition of North-West Ghana, Trevor Wiggins Uganda - the making of Karimojong' cattle songs, Kenneth Gourlay Embaire xylophone music of Samusiri Babalanda, Gerhard Kubik Kenya - warrior composers - Maasai boys and men, Malcolm Floyd new lyres in Northern Kenya - the enchamugne of the Samburu and the Kilumba of the Turkana, Malcolm Floyd. Part 2 The changing faces of music: consumer-led creation - Taarab music composition in Zanzibar, Janet Topp Fargion Kwela - the structure and sound of pennywhistle music, Lara Allen keeping our ears to the ground - cross-culturalism and the composer in South Africa, "old" and "new", Hans Roosenschoon Timbila, Hans Roosenschoon black - white - rainbow - a personal view on what African music means to the contemporary Western composer, Geoffrey Poole Egyptian composition in the 20th century, Adel Kamel.
创作非洲音乐
介绍-作曲非洲音乐,马尔科姆·弗洛伊德非洲音乐的旋律和节奏方面,克里斯托弗·詹姆斯。第一部分“传统音乐”的制作:埃及-埃及民间音乐,Adel Kamel Ghana -加纳作曲家的根源,James Flolu在加纳打鼓,Trevor Wiggins加纳西北部的木琴传统,Trevor Wiggins乌干达- Karimojong牛歌的制作,Kenneth Gourlay Embaire Samusiri Babalanda的木琴音乐,Gerhard Kubik肯尼亚-战士作曲家-马赛男孩和男人,Malcolm Floyd肯尼亚北部的新竖琴- Samburu和Turkana的Kilumba的enchamugne, Malcolm Floyd。第二部分音乐面貌的变化消费者主导的创作——桑给巴尔的Taarab音乐作品,Janet Topp Fargion Kwela——pennywhistle音乐的结构和声音,Lara Allen让我们的耳朵保持在地——跨文化主义和南非的作曲家,“旧的”和“新的”,Hans rosenschoon Timbila, Hans rosenschoon black - white - rainbow——个人对非洲音乐对当代西方作曲家的意义的看法,Geoffrey Poole 20世纪的埃及作曲,Adel Kamel。
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CiteScore
0.40
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