ACOUSTIC COMFORT IN THE CHURCH OF SANTA MARIA DELLA NEVE, AFTER ITS RENOVATION

IF 0.1 Q4 ACOUSTICS
Akustika Pub Date : 2022-01-01 DOI:10.36336/akustika20224355
Andrea Vargová, M. Rychtáriková
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引用次数: 0

Abstract

The Church of Santa Maria Della Neve (Our Lady of the Snows) on Bratislava Calvary hill was built during the World War II on the site of a chapel from the 18th century and bears the hallmarks of interwar modernism (functionalism). Since 2018 the church underwent a complete renovation of the interior under the leadership of architects Tomáš Bujna and Matúš Gibala. The works included the reconstruction of the interior of the presbytery, the nave of the church, the entrance and service areas, as well as the design and implementation of new furniture. In the church, new plaster and paint were applied to the walls and ceiling. The newly painted white interior provides a sufficient amount of light and thus gives positive and balanced impression for the people present in the church. However, the minimalist style without the use of any sound-absorbing material causes a major problem with speech intelligibility during the ceremonies. Changes in the interior, such as painting the church and removing the sound-absorbing elements on the walls and furniture are responsible for doubling of the reverberation time compared to the original state. The presented article focuses on the search for ways to reduce the reverberation time to the original values by interior elements, which could be accepted in terms of architectural appearance. From the point of view of acoustics, maintaining the diffusion of space is a big challenge here, because by reckless application of additional elements and surfaces with high sound absorption, unpleasant echoes could arise in such a large space. These would probably not impair speech intelligibility dramatically but would for sure interfere with music production. Therefore, auralization was used to find the optimal solution.
圣玛丽亚德拉内夫教堂翻新后的声学舒适度
位于布拉迪斯拉发各各他山上的圣母教堂建于第二次世界大战期间,是18世纪一座小教堂的遗址,具有两次世界大战之间现代主义(功能主义)的标志。自2018年以来,教堂在建筑师Tomáš Bujna和Matúš Gibala的领导下进行了全面的内部装修。这些工程包括重建长老会的内部、教堂的中殿、入口和服务区,以及设计和实施新家具。在教堂里,墙壁和天花板都涂上了新的灰泥和油漆。新粉刷的白色内部提供了充足的光线,从而给教堂里的人们带来了积极和平衡的印象。然而,没有使用任何吸音材料的极简风格导致了仪式期间语音清晰度的主要问题。内部的变化,如粉刷教堂和去除墙壁和家具上的吸声元素,使混响时间比原始状态增加了一倍。本文的重点是寻找通过室内元素将混响时间减少到原始值的方法,这在建筑外观方面是可以接受的。从声学的角度来看,保持空间的扩散是一个很大的挑战,因为在这么大的空间里,如果不顾一切地使用额外的元素和高吸声表面,可能会产生令人不快的回声。这些可能不会严重损害语音的可理解性,但肯定会干扰音乐制作。因此,利用听觉化来寻找最优解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Akustika
Akustika ACOUSTICS-
CiteScore
0.80
自引率
0.00%
发文量
4
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