{"title":"Culture Prison: The Redemption Within Two Walls: An Interpretation of Ashi’s Duor","authors":"Guangyao Liu","doi":"10.37819/ijsws.21.185","DOIUrl":null,"url":null,"abstract":"Based on the gender metaphor of man-woman difference, the cultural concepts of “home-country isomorphism” and “the unity of male and female” have produced one hidden trend and one manifest trend that have overlapped and formed a piece of political, cultural and educational fabric. In this way, an unsurpassable culture prison is established. The gender metaphor of man-woman difference exterminates the spiritual and emotional elements within conjugal union, namely, the “rare” in “How rare it is that human is different from beasts”, thus makes the political, cultural and educational system an inhuman and oppressive system, which has caused human sufferings full of tears and blood. Due to the double closedness of this system, it is impossible to transcend it once being placed in it. The transcending force can only come from outside the fabric: first, it comes from the constant influence of enlightenment to awaken the consciousness of humanity and subjectivity within human persons; second, more fundamentally, it comes from the listening to the holy voice from heaven, which is the final source of spirit and freedom. The short novel “Duor” by Ashi is like an epic, which heavily, peacefully and shockingly describes the cruelty within the culture prison, narrates the agony of the ones unfortunately have fallen in it. Sadly but solemnly and holily, this novel reveals that suffering comes from the love for spirit and freedom, and suffering is the way human persons defeat suffering, obtain redemption and finally reach the heaven of love.","PeriodicalId":41113,"journal":{"name":"International Journal of Sino-Western Studies","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Sino-Western Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37819/ijsws.21.185","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0
Abstract
Based on the gender metaphor of man-woman difference, the cultural concepts of “home-country isomorphism” and “the unity of male and female” have produced one hidden trend and one manifest trend that have overlapped and formed a piece of political, cultural and educational fabric. In this way, an unsurpassable culture prison is established. The gender metaphor of man-woman difference exterminates the spiritual and emotional elements within conjugal union, namely, the “rare” in “How rare it is that human is different from beasts”, thus makes the political, cultural and educational system an inhuman and oppressive system, which has caused human sufferings full of tears and blood. Due to the double closedness of this system, it is impossible to transcend it once being placed in it. The transcending force can only come from outside the fabric: first, it comes from the constant influence of enlightenment to awaken the consciousness of humanity and subjectivity within human persons; second, more fundamentally, it comes from the listening to the holy voice from heaven, which is the final source of spirit and freedom. The short novel “Duor” by Ashi is like an epic, which heavily, peacefully and shockingly describes the cruelty within the culture prison, narrates the agony of the ones unfortunately have fallen in it. Sadly but solemnly and holily, this novel reveals that suffering comes from the love for spirit and freedom, and suffering is the way human persons defeat suffering, obtain redemption and finally reach the heaven of love.
期刊介绍:
International Journal of Sino-Western Studies (IJS) is a Chinese-English bilingual academic journal, which is published twice a year in June and December in Finland by Nordic Forum of Sino-Western Studies. It is published simultaneously in printed and electronic online versions. The Nordic Forum of Sino-Western Studies is a university-related research platform based in Helsinki. We aim at encouraging Sino-Western dialogue, research, and enhancement of scholarly activities, e.g, conferences, student & scholar exchange, academic essay prize, and publication. As part of its publication programs, the Forum publishes a new Chinese-English bilingual journal to promote Sino-Western Studies internationally. The articles published in this journal do not necessarily represent the view or position of the journal or of the editorial board. This journal is fully open access, but once any part of this journal is reprinted, reproduced, or utilized in any form or by any means, presently known or hereafter invented, our journal''s name should be mentioned, including quotations in academic works or book reviews. We neither charge APCs nor authors to publish articles in our journal, and the only license term for quoting or dowloading our articles is to mention our journal''s name as the source of origin. Users can use, reuse and build upon the material published in our journal but only for non-commercial purposes.