Reading the intangible heritage in tangible Akan art.

Abstract

The intangible aspects of Akan art give it content that has to be ‘read’ in order for it to fulfil its purpose and be enjoyed. Hence there is an inextricable link between the intangible and tangible parts of an artwork, with the tangible explaining the subject matter. It is the interpretation, and the meanings given to Akan art that makes it function effectively as an integral part of Akan culture. In some situations, art functions as a form of coded language representing the Akan world view, values, proverbs and aesthetics, in other words, the intangible aspects of their culture. Their art is thus made up of two components, the invisible and visible parts. Akan artworks are not only works of aesthetic value, they provide cultural and historical evidence of the time and period in which they were made. They reveal the technology, materials, beliefs, cultural practices and the circumstances under which they were made as well as their relations with other cultures and peoples. They are a valid source of evidence for people studying the Akan. Their art has the status of legible documents, the tangible aspects of their intangible culture. This article seeks to establish the link between the unseen components of Akan art and its visible, physical components, and to show how these dual but complementary aspects can be understood and appreciated. Kwame Amoah Labi Senior Research Fellow, University of Ghana, Accra, Ghana