The Theme of Misogyny: A Study of the Select Plays of Vijay Tendulkar

IF 0.4 3区 文学 0 LITERATURE
R. Panguni Malar
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引用次数: 0

Abstract

This study is an investigation of the theme of misogyny as represented by the female characters in the select plays of Vijay Tendulkar. The study argues that the Indian cultural context leaves space for man to be superior and woman to be inferior. The term misogyny denotes hatred, dislike, or mistrust of women, manifested in various forms such as physical intimidation and abuse, sexual harassment and rape, social shunning and ostracism, etc. In most of the plays of Vijay Tendulkar women stand to be the objects of subjugation in the hands of their male counterparts with whom they happen to connect with in the hope of leading their normal life. Tendulkar’s plays display a wide range of complex behaviours those constitute different forms of violence – physical attacks and verbal abuses. A thorough analysis of the situations and circumstances related to women in Vijay Tendulkar’s plays reveal that the domestic, personal, political and social ambience in which the characters live in contribute them much violence physically, sexually, psychologically and verbally. As Tendulkar’s plays stand for the middle class society, the man in his plays quite often is brutal towards his female counterpart with his deep rooted ideologies. The paper’s finding speaks on how the woman characters evolve to be strong individuals amidst their adverse ambience.
厌女主题:维贾伊·泰杜卡尔剧选研究
本研究是对维贾伊·泰杜卡精选戏剧中女性角色所代表的厌女主题的调查。该研究认为,印度的文化背景给男尊女卑留下了空间。厌女症(misogyny)是指对女性的憎恨、不喜欢或不信任,表现为身体恐吓和虐待、性骚扰和强奸、社会回避和排斥等多种形式。在Vijay Tendulkar的大多数戏剧中,女性站在男性同伴手中成为征服的对象,她们碰巧与男性同伴联系在一起,希望过上正常的生活。Tendulkar的戏剧展示了一系列复杂的行为,这些行为构成了不同形式的暴力——身体攻击和言语虐待。对维贾伊·泰杜尔卡戏剧中与女性有关的情境和环境的深入分析表明,角色所处的家庭、个人、政治和社会环境使她们在身体、性、心理和语言上遭受了许多暴力。由于Tendulkar的戏剧代表了中产阶级社会,他的戏剧中的男人往往对他的女性对手有着根深蒂固的意识形态。这篇论文的发现说明了女性角色是如何在不利的环境中发展成为强大的个体的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
ENGLISH
ENGLISH LITERATURE-
CiteScore
0.40
自引率
0.00%
发文量
25
期刊介绍: English is an internationally known journal of literary criticism, published on behalf of The English Association. Each issue contains essays on major works of English literature or on topics of general literary interest, aimed at readers within universities and colleges and presented in a lively and engaging style. There is a substantial review section, in which reviewers have space to situate a book within the context of recent developments in its field, and present a detailed argument. English is unusual among academic journals in publishing original poetry. This policy embodies the view that the critical and creative functions, often so widely separated in the teaching of English, can co-exist and cross-fertilise each other.
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