Bracketing Religions: A Phenomenological Analysis of Theological Origin and Social Construction of Religions in the Context of PK Movie

IF 0.2 0 RELIGION
A. Türkeri̇, Bahset Karsli
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引用次数: 0

Abstract

Cinema functions as a rich data store for researchers in understanding and interpreting unique characteristic components of a society such as language, culture, tradition, religion, etc. The subject of this study is to question the realities of a multicultural social life with reference to PK movie. There is a set of problems such as what the basic motivations of religious groups are, whether a person could be independent of cultural/environmental factors, and how the theological and sociological perceptions of religion differentiate, etc. The aim of this paper is to trace the steps of the construction of social and religious reality experienced by an alien’s own consciousness. This study combines sociology of religion with cinema through a phenomenological approach. Everyday realities perceived through an alien by suspending stocks of knowledge (externalization) enable us to apply the phenomenological approach to the study. As a result, this alien tends toward the society as a stranger and contributes to criticize it objectively.
分类宗教:PK电影背景下宗教的神学渊源与社会建构的现象学分析
电影作为一个丰富的数据存储库,为研究人员理解和解释一个社会的独特特征组成部分,如语言、文化、传统、宗教等。本研究的主题是借由PK电影来质疑多元文化社会生活的现实。有一系列问题,如宗教团体的基本动机是什么,一个人是否可以独立于文化/环境因素,以及神学和社会学对宗教的看法如何区分,等等。本文的目的是追溯一个异乡人自身意识所经历的社会与宗教现实建构的步骤。本研究通过现象学方法将宗教社会学与电影相结合。通过暂停知识储备(外化),通过外星人感知的日常现实使我们能够将现象学方法应用于研究。因此,这个外国人倾向于以陌生人的身份对待社会,并有助于客观地批评社会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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